Review: Fall of Duty
Not so much another First War narrative but a parallel rediscovery of singalong music, song and dance, stars and tears in their eyes. Tightness of video, the engagement of audience and extremely well-counterpointed denouement makes this a memorable show. And did I mention the Childs can sing?
Review: Whose Sari Now?
This is consummate storytelling, and Moorthy’s narrative variables attest to pitch and speed, a charactering that gifts all it can to the individual and in some cases real tales. There’s much here we cannot forget.
Review: The Boys in the Band
Mark Gatiss might be the best-known of the ensemble in The Boys in the Band but delights in being just one of this nine-hander which never falters, never droops and dances words to actions in a small masterpiece that seems poised to remain contemporary forever.
Review: A Boy Named Sue
Finely crafted, well acted play that is smart, poetic, gutsy and compelling!
Review: Kenny Morgan
Superb take on Rattigan’s lover’s suicide attempts, that inspired Rattigan’s masterpiece The Deep Blue Sea.
Review: Dancing in the Dark
Inspired off-centre situationist drama from acclaimed Wired Theatre about family, grief and sexual identities.
Review: Groomed
Patrick Sandford's groundbreaking play, acted by himself, of his own childhood abuse, acted alongside a sax player...
Review: Cock
An exploration of sexuality within the 21st century confines of unconfined and ill defined relationships.
Review: We Always Knew This Day Was Coming
One man’s journey from fireman to girlfriend to boyfriend as told in 1 minute episodes
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