Review: Troilus and Cressida
We’re privileged to see this rarely-performed work moulded by OFS. A play for our times.
Review: Troilus and Cressida
We’re privileged to see this rarely-performed work moulded by OFS. A play for our times.
Review: Love Love Love
Epic eavesdropping casts that ultimate spell: reading ourselves by flashes of lightning.
Review: Amadeus
In the most spectacular production imaginable, Lucian Msamati’s supremely crafted lead sets off the quicksilver of his rival Adam Gillen.
Review: Les Blancs
A superb realization of Lorraine Hansberry's unfinished masterpiece - a classic of Ibsenite proportions
Review: The Madness of George III
This magnificent revival poses even more urgent questions. A twitch on the thread for all of us.
Review: Coriolanus
A Coriolanus memorable for politics sinewed with personal forces: an active interrogation of democracy. And in Josie Rourke’s production Tom Hiddleston’s someone riven by intimations of his true self
Review: The Sound of Music
Phenomenal singing all round. A more than solid recommendation for that alone.
Review: Wonderland
Outstanding. Surely the definitive study of the dignity of physical labour, and breaking of its amity.
Review: Afterplay
Miraculously-attuned. A wafer-thin but absolutely genuine slice of Chekhov. Do see it.
Review: Swive
A Hilliard rather than Holbein, it’s the velocity of Elizabeth’s survival that enthrals
Review: Hunger
An exemplary, scrupulous production so starkly contemporary, it makes Hunger contemporary forever
Review: Richard III
This production could draw out the poison of being dead serious in terminal bursts of laughter
Review: My Brilliant Friend Parts One and Two
Cusack and McCormack give the performances of their lives
Review: Frankenstein
There’s a clean sharp fusion between these two writers that heralds something special.
Review: Hitler’s Tasters
You will stumble out at the end completely bowled over by the power of this play
Review: Taboo
A chilling glimpse into the world of a little known but influential woman from the Nazi era.
Review: Scarlett Fever: The Great Southern Search
Old Hollywood meets tribal acting in an engaging piece of physical theatre.
Review: Paul Duncan McGarrity: A Practical Guide to Storming Castles
The most entertaining archaeologist since Indiana Jones
Review: All I See Is You
Funny, upsetting and with just the right amount of teenage angst - it’s 1960’s UK. This is a coming of age story where queer men are never truly permitted to come of age.