Brighton Fringe

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Brighton Fringe 2017

American Contemporary Ensemble (ACE)

"professionally polished performances"


Blooming

It’s not a sequel to Patrick Sanford’s award-winning Groomed. Blooming’s an outstanding work still developing, but judging by Sandford’s original deployment of images and the interaction between performers, it’s becoming a definitive statement. There’s much to discover, especially for many at the Q&A. If you care for the human condition, you must see this.


Cabaret from the Shadows

A mind bending, thought provoking feast for the soul!


Comedy Club for Kids

A lot of fun, a lot of laughs, a lot of joy. And (mostly) age-appropriate.


How to Walk Through Hell

When an author entitles her experiences in How to Walk Through Hell as based on her own, you might wonder if we’re close to stories of abuse and terror. Yes, the abuse is a virus. Lyme disease. The acting of both Sam Wright and Kizzie Kay is exemplary, some of the finest naturalistic acting seen on the Fringe this year, indeed consummately professional.


Mr. B The Gentleman Rhymer: The Chap-Hop Decade

Returning to his roots, festival fave and Brighton’s own Mr. B The Gentleman Rhymer celebrated 10 years of the musical genre he founded, Chap Hop. 


The Cocktail Pianist

The Cocktail Pianist is ultimately radiant with self-knowledge. Hatchard is a phenomenally gifted pianist even on an electric keyboard. His touch, mercurial dispatch are not of the medley kind. A first rate show with enduring things to say, it’s also a comment on how we treat our gifts and they us.