Brighton Year-Round

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Brighton Year-Round 2026

Arabian Nights

A beguiling, thoroughly diverting start to spring, it’s a delight.


Carmen

A must-see for anyone compelled by ballet; something we’re not likely to see in Brighton for years.


Death on the Nile

A first-rate night at the theatre, and Esme Hough is a delight.


Double Indemnity

With Raymond Chandler’s ghost still in the machine it’s a compelling noir.


Falstaff

Mike Stoneham deserves acclaim for this one-man tour-de-farce, that keeps the Rabelaisian fires burning.


Jane Eyre

Polly Teale has released the daemons, but Nettie Sheridan’s ensemble has delivered Jane Eyre’s feeling to a pitch remarkable even for BLT. With a twilight and sunny consummation at BOAT, it’s even more outstanding.


Midsomer Murders

Don’t miss this. You’ll be surprised. Particularly if you think you know the badgers.


Murder, Margaret and Me

Brave, bold and really worth seeing above much else: even in a busy Festival.


Operation Mincemeat

This is the finest new musical I’ve seen for many years. End of. The hype, the Oliviers and Tony call it right. See it.


Pack of Lies

This one-time hit though now rarely-staged Olivier-winning play is worth tracking down; and you’ve a little more time to find it in Southwick.


Priscilla, Queen of the Desert

With a re-think more thorough than a new fuel-tank for Priscilla, it’s now an outstanding show.


Single White Female

There’s potential for this to be a taut-paced thriller with higher stakes than the original. As it stands, this isn’t yet quite ready but there’s months ahead to make it work.


The Ballad of Johnny & June

That rare event: a new musical with classic inscribed on it. Outstanding.


The Beekeeper of Aleppo

It’s important to see it now. It’s none the less real for being fiction.


The Choir of Man

The Choir of Man brings us joy whilst bursting with talent. But it’s a timely reminder of what’s at stake.


The Constant Wife

An outstanding revival and adaptation, a faultless cast, an award-winning set too. Brighton has been lucky in its last three productions. This though is the gem. Outstanding.


The Spy Who Came In From The Cold

This desperate elegy of betrayal, straight from Le Carré’s own hurt, will haunt you with the truth of its despair.


Waitress

Hope Fletcher raises soaring music theatre, an ounce of gold in the throat and stars six inches above it.