Brighton Year-Round

A superb revival; its tinted mirror keeps burnishing.

A beguiling, thoroughly diverting start to spring, it’s a delight.

This is the production to see.

This is a richly freighted drama: all the issues around loss, abuse, displacement and ideation circle in two-hours-twenty with interval.

A first-rate night at the theatre, and Esme Hough is a delight.

Mike Stoneham deserves acclaim for this one-man tour-de-farce, that keeps the Rabelaisian fires burning.

This flawless production of weight and substance calling on NVT’s resources is a triumph.

Brave, bold and really worth seeing above much else: even in a busy Festival.

This is the finest new musical I’ve seen for many years. End of. The hype, the Oliviers and Tony call it right. See it.

This version is never done because the all-female five-hander is easier: so do see it. A triumph.

With a re-think more thorough than a new fuel-tank for Priscilla, it’s now an outstanding show.

The Choir of Man brings us joy whilst bursting with talent. But it’s a timely reminder of what’s at stake.

This desperate elegy of betrayal, straight from Le Carré’s own hurt, will haunt you with the truth of its despair.