Brighton Year-Round
Years: 2024 2023 2022 2021 2020 2019
Brighton Year-Round 2023
![](http://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/HIDDEN_GEM.png)
Black Mountain, I Dream Before I Take the Stand
In Black Mountain Brad Birch shows in part how fine he can be. Arlene Hutton’s I Dream Before I Take the Stand is a short assault on the way the law assaults its victims, particularly women.
![](http://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/MUST_SEE_SHOW.png)
Double Bill: Paul Robeson, Suzi of the Dress
No doubting of the power of this double-bill from Kansas. The Paul Robeson is solid gold, the Suzi of the Dress, quicksilver.
![](http://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/HIGHLY_RECOMMENDED_SHOW.png)
The finest UK production of this play, certainly the best drama in Brighton this month.
![](http://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/HIGHLY_RECOMMENDED_SHOW.png)
Rethought, rejigged, bright with humour and shadowed with plangency, this is the Heathers we’re meant to have
![](http://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/MUST_SEE_SHOW.png)
Martin Malone more than revives Edward Albee’s 2002 masterpiece The Goat, at the New Venture Theatre; he rethinks how we can receive it. An exemplary revival of a play Michael Billington named one of his 101 Greatest – even over Who’s Afraid of Virginia Woolf? Make up your own mind; see it. Martin Malone more than revives Edward Albee’s 2002 masterpiece The Goat, at the New Venture Theatre; he rethinks how we can receive it. An exemplary revival of a play Michael Billington named one of his 101 Greatest – even over Who’s Afraid of Virginia Woolf? Make up your own mind; see it.
![](http://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/HIGHLY_RECOMMENDED_SHOW.png)
The Shawshank Redemption returns in an even stronger production than in 2015: sharper, more visceral, and with a stronger set and sound, frames even more resonant performances
![](http://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/MUST_SEE_SHOW.png)
This is more than a first-rate revival. In this production it’s a must-see one, the definition of a superbly-made, timeless play.