Brighton Year-Round

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Brighton Year-Round 2023

And Then They Came For Me

A multi-genre piece that can play anywhere, and needed now more than ever. Both to challenge denialists and most of all to illustrate the inhumanity of governments like ours towards refugees


Blood Brothers

This reinvigorated classic has overwhelming impact: as story, as lyric fable, as terrible moral for these distracted times.


Can’t Pay? Won’t Pay!

Solidarity in the face of economic hardship


Can’t Pay? Won’t Pay!

A cost-of-living revolution in St James Street? You’d better believe it as Triada Theatre kick off the weekend with Dario Fo’s 1974 Can’t Pay? Won’t Pay! at the Lantern Theatre. Superb, energised theatre, rough occasionally, but mostly very-well performed, imaginatively staged, rapturously received. Now get out on the streets.


Double Bill: Paul Robeson, Suzi of the Dress

No doubting of the power of this double-bill from Kansas. The Paul Robeson is solid gold, the Suzi of the Dress, quicksilver.


Farragut North

The finest UK production of this play, certainly the best drama in Brighton this month.


Noughts & Crosses

A must-see cry for love and tolerance


The Caucasian Chalk Circle

An exhilarating student production


The Madness of George III

Surely the Sarah Mann Company’s finest hour, overcoming the BOAT’s wondrous yet treacherous acoustics – and weather. Alan Bennet’s 1991 The Madness of George III is their most ambitious, most jaw-dropping production. This magnificent revival poses even more urgent questions. A twitch on the thread for all of us.


Tony!

There’s no doubt this is an offbeat, brilliant, rude, absolutely necessary musical. Its acid test will come from younger Millennials and Zoomers. But then that’s the point: the winners rewrite history. History has just struck back, and it’s a blast.