FringeReview UK

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FringeReview UK 2024

1979

Political history told in Mamet-fast satire, imagined conversations and accurate stats. What could be more thrilling? 82 minutes later you won’t ask why this three-hander is like curing New Year’s hangover with Red Bull, ice, something illegal and a vodka chaser.


Before After

A pristine, heartwarming Valentine of a musical, it fully deserves its revival


Bette and Joan

Outstanding performances, an outstanding set too. As one director said, this production’s more compelling than the original 2011-12 seen touring at Brighton in 2012. The very intimacy of the space, with pitch-perfect acting, makes this an even finer vehicle for the play.


Boy In Da Korma

A necessary, engaging, original variation on finding your voice: and a theatrical coup. Acting, writing, directing, video, lighting and tech support, indeed singing are first class. A gem.


Jab

Highly recommended, it’s also essential.


Stitches

The end’s both poignant and visionary. A show to remember long after the Bear’s imagined batteries run down.


The EU Killed My Dad

Do see this, preferably alongside its sometime co-runner The Beautiful Future is Coming. A dizzying theatrical gem.


Till the Stars Come Down

Even this early, it’s safe to predict we’ll look back at the end of 2024 and proclaim it as one of the year’s finest.


Uncle Vanya

Hilarious, devastating, outstanding.


Vanya

This is the greatest one-man performance I’ve seen, said a Chekhov-immersed director of 45 years’ experience next to me. Yes.