FringeReview UK
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FringeReview UK 2025

A play deeper than the satire which propels it. And subtly layered enough to brush the epic. A stunning smack between the eyes and a must-see.

It’s impossible to believe Sienna doesn’t believe Emily’s not part of this at some level, and by the end, you’ll think so too.

Death & Co. The Laurel and Hardy of Suicide, the Little and Large of it Do see this timely, painfully funny, and absorbing new play.

If flawed it’s a fascinating, intimate piece given new life and with luck a new performing tradition. The most compelling two-hander now playing.

Khawla Ibraheem A Knock on the Roof
What and who can you choose is something more people are forced to decide as the century rolls. But Mariam’s plight is specific, ongoing, now far worse and essential viewing.

ETT’s gallimaufry stimulates, frustrates, occasionally fascinates. A more selective through-line would have revealed a mineral gleam, a new earth of tyranny.

Samuel Rees and Gabriele Uboldi Lessons on Revolution
It’s intersectional, it’s personal, it’s interactive: all great reasons to see this play: unless you’re a board member of BP, or the government.

Anna Morris heightens tragedy and misogyny with gags, humour and farcical horror. Do catch this fleeting gem, running for just two more weeks before it touches down

It begs questions: what couldn’t we do, if placed outside our own comfort station in life? Essential theatre. essential questions. A gem.

Essential theatre, essential witness and mandatory for anyone who wants to know how human we have to be, from beginning to end.

How far you’d go to pursue either vengeance or to resolve one, asks just such questions of how we choose to box up our lives. The Gift is for all of us.

Timberlake Wertenbaker Little Brother
bsorbs and remains indelible. Stella Powell-Jones is helming a quietly radical shift in Jermyn Street. And she’s taking the audience with her.