FringeReview UK
Years: 2024 2023 2022 2021 2020 2019 2018 2017 2016 2015
FringeReview UK 2024
Jacob Kay and Helen Baird are both exemplary and funny – there’s explosions of laughter. At 40 minutes there’s much matter hurled at the speed of dark. See it if you can, and check out the other Bitesize plays at Riverside.
It’s conquered both sides of the pond. Stunning, heartwarming, heartbreaking. We need this.
A necessary, engaging, original variation on finding your voice: and a theatrical coup. Acting, writing, directing, video, lighting and tech support, indeed singing are first class. A gem.
One of the finest small-scale plays to come out of Arcola’s Studio 2 recently. Do see this.
Despite history’s caveats, O’Farrell’s core message isn’t about white saviours or pop stars but how ordinary people unite to change things.
This smouldering production – fast-talking or timeless - fully engages with the play. It makes almost perfect sense: and two families’ DNA ring true as rarely before.
This is possibly Ridley’s masterpiece. Always exercised by the spectral presence of something just out of eyeshot, he never lets that intrude. Scorching and necessary, Leaves of Glass delves into family toxicity, ceaselessly dragging us back into the past.
With institutional racism and trauma compounded in a feedback loop, this Othello’s a timely, and timeless broadside on everything toxic we inhale and expel as venom.
Emma Wilkinson Wright manages the narrative as an odyssey punctuated by screams. It’s a pretty phenomenal performance and the actor is so wholly immersed in Rika you know you’re in the presence of something remarkable.
The end’s both poignant and visionary. A show to remember long after the Bear’s imagined batteries run down.
The Beautiful Future is Coming
Beautiful Future engages throughout though the near future is where it beats quickest. Flora Wilson Brown’s play makes you wonder what life, not just the playwright, might do with her characters. Urgently recommended.
There’s so much to admire here that it’s a happy duty to urge you to see it, if you can, any way you can.
Even this early, it’s safe to predict we’ll look back at the end of 2024 and proclaim it as one of the year’s finest.
This is the greatest one-man performance I’ve seen, said a Chekhov-immersed director of 45 years’ experience next to me. Yes.