FringeReview UK

All Of Us

As Ken Tynan once said of another debut, I don’t think I could love someone who doesn’t love this play.

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Duck

An impressively finished play. Do see it.

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Henry V

The definitive Henry V of our time

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House of Shades

There’ll be nothing more blazing or relevant on the London stage this year.

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Marys Seacole

No simple swapping of heirs and originals, but a dream of the future by Seacole, or equally present dreams raking the past. Do see this.

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Middle

Judging by the audience, its bleakness tells. Middle bears its own epiphany.

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Patriots

Putin’s our monster too. A must-see.

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Prima Facie

if Comer doesn’t receive awards for this there’s no justice at all.

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That Is Not Who I Am

Lucy Kirkwood prophesies what’s in store with savage fury, and no-one’s exempt, least of all her.

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The 47th

A must-see.

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The Anarchist

A firecracker of a first play. Expect Molotovs.

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The Paradis Files

Not so much an event as a concentration of Errollyn Wallen’s genius celebrating the life of blind composer Maria Theresia van Paradis, in Graeae’s world-class production

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The Southbury Child

Perfectly freighted; each character pitched with just enough choice to make us wonder what life, not Stephen Beresford will do with them. Outstanding.

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Two Billion Beats

Two Billion Beats was bursting with promise before. Now it delivers with a visceral yes.

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two Palestinians go dogging

Packs a mighty question that can still knock you off balance.

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