FringeReview UK

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Exciting, boppy, mind-enlarging, sometimes thrilling

Alex Pearson has devised an Edward II that’s fleet, clear, crisply compelling and as sly as Marlowe: something other productions could profit from.

A small classic, if not on the scale of The Truth About Blayds, it’s yet another gem. And a must-see.

An extremely fine, and important one-person play, brimming with comedic gambits to open the floodgates.