FringeReview UK
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FringeReview UK 2026
This is an event. Break in (without breakages!) if you have to, to see this. You’ll be standing in the aisles to swarm the barricades.
Stella Powell-Jones and her team make the strongest possible case. A must-see for all lovers of theatre, wit, and wincing put-downs.
One of the few moments of Peter Brooks’ term “Holy Theatre” has arrived at the Wanamaker. A must-see.
It mightn’t quite be the droll, dry Churchill we know, but it’s certainly one we should greet. Absorbing.
The Finborough have form with five-star solo shows. This is clearly another flued and sanded with the ferocity of pursuit. Outstanding.
Klingenstein’s attentive, witty above all brilliant re-imagining of two remarkable young people. Exceptional.
There’s a perennial feel not just to the humanity at the play’s core; but the work itself. In these dark days, a must-see.
Orlando Gough’s music stamps this production, and makes the pulleys of reinvention sing despite themselves. For that and the sweep of decolonised languages, a must-see.
