FringeReview UK 2024
Political history told in Mamet-fast satire, imagined conversations and accurate stats. What could be more thrilling? 82 minutes later you won’t ask why this three-hander is like curing New Year’s hangover with Red Bull, ice, something illegal and a vodka chaser.
Jacob Kay and Helen Baird are both exemplary and funny – there’s explosions of laughter. At 40 minutes there’s much matter hurled at the speed of dark. See it if you can, and check out the other Bitesize plays at Riverside.
It’s conquered both sides of the pond. Stunning, heartwarming, heartbreaking. We need this.
A pristine, heartwarming Valentine of a musical, it fully deserves its revival
An outstanding production.
A potentially terrific play
A necessary, engaging, original variation on finding your voice: and a theatrical coup. Acting, writing, directing, video, lighting and tech support, indeed singing are first class. A gem.
Highly recommended, it’s also essential.
This is possibly Ridley’s masterpiece. Always exercised by the spectral presence of something just out of eyeshot, he never lets that intrude. Scorching and necessary, Leaves of Glass delves into family toxicity, ceaselessly dragging us back into the past.
The end’s both poignant and visionary. A show to remember long after the Bear’s imagined batteries run down.
Beautiful Future engages throughout though the near future is where it beats quickest. Flora Wilson Brown’s play makes you wonder what life, not just the playwright, might do with her characters. Urgently recommended.
Do see this, preferably alongside its sometime co-runner The Beautiful Future is Coming. A dizzying theatrical gem.
A valuable corrective to anticipate both real events and Arthur Miller’s take on Abigail Williams
A playful, slight but absolutely authentic slice of travel living.
This six-hander is a 90-minute announcement of a major talent. An almost flawless play.
This is the greatest one-man performance I’ve seen, said a Chekhov-immersed director of 45 years’ experience next to me. Yes.