FringeReview UK

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Provocative, absorbing take on Strindberg’s 1888 masterpiece. Fine cast led by Liz Francis make much of demob denouements.

One of the few moments of Peter Brooks’ term “Holy Theatre” has arrived at the Wanamaker. A must-see.

Alex Pearson has devised an Edward II that’s fleet, clear, crisply compelling and as sly as Marlowe: something other productions could profit from.

A magnificent production – satisfying in so many ways.

An almost flawless revival of a work that might yet prove a masterpiece.

A small classic, if not on the scale of The Truth About Blayds, it’s yet another gem. And a must-see.