FringeReview UK
Years: 2024 2023 2022 2021 2020 2019 2018 2017 2016 2015
FringeReview UK 2016
Conor Lovett lightens his pitch Becket’s exploration of lust, sexual disgust and the intolerable consequences of generation.
Motherhood: (Un)speakable, (Un)spoken
Moments into this one-woman play, Joanna Rosenfeld - emerging in a poke of fingers from a cagoule of brown paper - over-voices herself giving witness to tens of verbatim experiences we hear. This tells us the baby’s a parasite, sucks all your nutrients, calcium from your teeth for instance, causes injury, often permanent, can kill. This is - literally - epic interior theatre.
Motherhood:(Un)speakable, (Un)spoken
Ninety seconds into this newly-revised one-woman play, Joanna Rosenfeld - emerging in a poke of fingers from a cagoule of brown paper - over-voices herself giving witness to tens of verbatim experiences we hear. This tells us the baby’s a parasite, sucks all your nutrients, calcium from your teeth for instance, causes injury, often permanent, can kill. This is - literally - epic interior theatre.
Conor Lovett rivets with a naturalistic pitch in this cut-down stand-up Beckett diminuendo of an ex-inmate’s prospects. More tour de force in a tour de farce of Beckett’s genius.
This is consummate storytelling, and Moorthy’s narrative variables attest to pitch and speed, a charactering that gifts all it can to the individual and in some cases real tales. There’s much here we cannot forget.
