FringeReview UK

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The best Part 2 we can imagine.

Grabs you from the towards the close of Act One and doesn’t let go: from here to curtain we’re in heart-stopping eternity.

A wonderful score and musicians, above all Bea Segura’s titanic act of shrivelling, make this a must-see.

No simple swapping of heirs and originals, but a dream of the future by Seacole, or equally present dreams raking the past. Do see this.

A gem of a production, Taylor McClaine a soaring talent to watch.

It’s not just gender-swerving but role-swerving that threatens sexual and social order. Surprises light up even the last fade.

Groundbreaking, superb, unmissable.