FringeReview UK
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FringeReview UK 2024
Almost a play in three acts...but strangely, rivetingly not. Ridiculusmus put the shovel into Shakespeare.
I’ve never seen a Winnie more ordinary, one without those strange transcendental inflections. Catherine Humphreys isn’t flat: she rises to anguish, though it’s one of realism. I’m still not quite sure what’s been removed. But I’m very glad I’ve seen it.
A joyous revival. Though working in TV production, Hayden’s writing is too good, too well-shaped not to develop in theatre instead.
An exceptional ensemble delivering a delirious twist on a tale that truly deserves it. Unmissable.
