Review: Fox

A poignant and wry look at lonely new mum challenges in 2019 Britain


Review: Hitler’s Tasters

You will stumble out at the end completely bowled over by the power of this play


Review: Leave a Message

A witty exploration of a difficult personal experience


Review: Rosmersholm

They compel attention, they demand we follow every sigh


Review: Afterglow

It’s conquered both sides of the pond. We need this.


Review: Peter Gynt

In McArdle’s irresistible performance you’re not likely to see a finer Gynt.


Review: The Hunt

An outstandingly theatrical re-visioning of a film


Review: The Flies

There’s nothing like the Exchange’s approach: their bi-lingual virtuosity burns questions.


Review: Plenty

Unsettling enough to avoid instant classic status, but outliving many that court it. A superb revival.


Review: Raised by Wolves

Daring Canadian becomes the leader of the pack to reach her Shangri La.


Review: 549: Scots of the Spanish Civil War

An impressive and dramatic look back at four young men who left Prestonpans and went to fight in the 1930’s conflict which is usually filled with mystique and mythology


Review: If We Run

Ex-lovers re-unite for last goodbye.


Review: The Wasp

This is more than a first-rate revival. It’s outstanding. See it.


Review: Henry V

The enormous energy Sarah Amankwah brings proclaims greatness in the making


Review: The Pride

Don’t wait for another West End revival see this one.


Review: Cuckoo

A fascinating examination of the South Korean financial crisis with video, a solo performer and not one but three cuckoos.


Review: White Pearl

The finest new play from the Court this year, gleaming and deadly


Review: Mozzz!

A week in the life of an underground mosquito


Review: All I See Is You

Funny, upsetting and with just the right amount of teenage angst - it’s 1960’s UK. This is a coming of age story where queer men are never truly permitted to come of age.


Review: Betrayal

A sovereign production: one of Pretty Villain’s finest.


Review: Sary

The imaginative force, language and unsettled serenity of this work demands a sustained run.


Review: All My Sons

Convinces you All My Sons is even greater than we know.


Review: Freak

A play everyone should see – and a first-rate revival.


Review: Flight

A lyrically told story of child refugees


Review: Damien

The story of he leper priest of Moloka'i and patron saint of outcasts.


Review: Creditors

We’re unlikely to see a better production of this still rarely-performed disturber of ourselves.


Review: Miss Julie

It’s unlikely we’ll get a cleaner version, or a more absorbing production any time soon


Review: Black Peter

A must-see for anyone who values fine drama.


Review: Closer

A stinging look at modern love and betrayal.


Review: Out of Water

Anything Zoe Cooper writes now must be keenly anticipated.


Review: The Glass Piano

A bewitching mix of deconstructive magic and fabulous therapy, it’s above all Grace Molony who brushes distinction into this already distinctive production.


Review: Pah-La

A searing arc of a drama based on true events


Review: The Tailor of Inverness

A story, a thread, a suit and intrigue, bound in a fascinating tale told with a violin and a cracking narrative; Mathew Zajac masterfully weaves and unfolds layers of the stories of his father.


Review: Three Sisters

This absorbing production keeps growing in the mind, like to take root.


Review: Top Girls

It doesn’t get much better than this.


Review: Mary’s Babies

Maud Dromgoole’s proved more than adroit, skilful, and deliciously risk-taking. A must-see.


Review: The Rubenstein Kiss

If you care for grippingly argued, passionate theatre, you must see this.


Review: Rotterdam

Rotterdam’s an outstanding play about sexual identity, choices, and above all what it means to transition.


Review: The Price

An outstanding production, rescuing a classic from attic shadows.


Review: Achilles

A bold reimagining and interpretation of Achilles’ grief and revenge through a superior technical evening of storytelling, dance and song


Review: Downstate

A masterly, unsettling play that in this production never puts a foot wrong. And wrong-foots us all.


Review: Much Taboo About Nothing

An innovative two hander exploring the taboo subject of abortion and its effect on two young parents with an unlikely ending.


Review: Kokoda

A solo show telling the tale of one of the most gruelling campaigns of WW2


Review: The Father

Florian Zeller's masterpiece, in a production and central performance that would do it justice anywhere.


Review: Blood Knot

With Angela Smith’s phrase ringing in our ears, there’s not going to be a better play anywhere that answers it. Do see it.


Review: Richard II

A searingly precise essay on the corruption of entitlement.


Review: Bodies

Still masterly, and in this rare revival, a must-see.


Review: Agnes Colander

A revelation. At twenty-two Granville Barker’s a master in the making. Naomi Frederick’s sovereign in the title role.


Review: Shipwreck

A superb ensemble piece. Of all dramas on these interesting times in America, it’s the one truly necessary.


Review: Cyprus Avenue

Devastating drama about the DNA of bigotry; and it all starts in surreal farce.


Review: Gigantic Lying Mouth

An engaging one man exploration of lying at the end of his life, helped with video, a disembodied voice and facing the harsh truth of his own (previous) existence.


Review: Edward I

Could this be staged any more convincingly? Superb.


Review: Cougar

You must see this.


Review: Baby Face

An uncomfortable night facing uncomfortable truths with comfort coming when you have the decency to condemn the truly indecent


Review: Superhoe

A searing new talent.


Review: I’m Not Running

Compelling dissection of what hampers the mindset of our main progressive party.