Live Theatre, surely not?

Last Friday, at The Grove Theatre in Eastbourne, we did our first live show in months. To an audience of 40, plus staff and crew, Tim Marriott performed Shellshock. Short notes, Tim was brilliant, the audience loved it and venue were delighted. Hooray, joy all round. Apparently, there are still people who want to see […]


Mini-Reviews of Online Fringe

Over August I have been watching online content. Not all of these shows are long enough to warrant the full Fringe Review experience but are good, and interesting enough to be talked about. Whilst the review criteria are the same, the brevity is a whole new experience. Anyhow, here are my thoughts on these shows. […]


A busted August

Like most of us, this is not the August I imagined. I won’t bore you with the same tale, you have heard told again and again. Suffice to say, the image on the left tells its own story. What I would like to talk about is new work, the emergence of a new medium, and […]


As part of Brighton Fringe Online, we launched an audio version of Waiting For Hamlet. Lorks! what fun it was! Having never done anything like this before it’s surprising how much there was to learn. There are various posts on our website and social media, showing how we did it. In simple terms, the actors […]


Turning a living play into a listening experience

“Start a blog,” Paul says, “it will be fun,” he adds, before finishing with “don’t worry it won’t take long”. Whenever Paul ‘suggests’ you give something a go, there is always a point when you think to yourself, ‘why did I agree to this?’. Then you wander around for a bit, scratching your head and […]


Stepping into the unknown

I recently met the writer, director and actress, Sam Chittenden, who kindly invited me to see her latest work, Unquiet Slumbers – The Haunting of Emily Brontë at Sweetwerks, Brighton. As a much younger man, I tried to read Brontë, and it’s fair to say I didn’t find it to my taste. Not enough guns, […]


A series of unrelated events leading to an unexpected conclusion

Last August I reviewed Paul Currie’s Edinburgh Fringe show, Trufficle Musk. It was one of my festival highlights, a joyous trip through the absurd and ‘a brilliant hour of bonkers comedy that makes you happy’. As well as reviewing shows I was working as a producer on Mengele and Judas at Assembly. There was a […]