Brighton Fringe
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Brighton Fringe 2018
Many arts-driven people forced into the corporate world might well see this play answers their condition like few others.
"A poignant, contemporary, powerfully evocative play asking some uncomfortable questions"
It’s in NT’s best American vein. Forget Rehearsed Reading. It’s the real thing.
It’s a work with much to tell us: of the unlooked-for consequences of a buried war. Of elective affinities and choosing to adopt the war-bereft, whatever condition they’re in.
Jenner’s moved out of the comfort zone of his Coward years which suit him particularly, or straight acting. It’s a remarkable feat.
This is an outstanding production, one of the two or three finest amateur ones I’ve ever seen. It can hold its head amongst consummate professional ones.
If you decide on one storytelling piece of theatre in this half of the Fringe, I doubt you’ll do better than experience this.
"A passionate, storytelling show with live cinematic music about war and peace, acts of heroism, and the love for life."
I can predict that by the end of its run, this should be the most outstanding one-person show you’ll see in the last week.
Guardian obituary, 2008. ‘Ken Campbell was one of the most original and unclassifiable talents in British theatre of the past half-century.’ It just happens that his daughter Daisy is both that and far more. She’s one of the most cunning crafters of comedy and storytelling in the anti-business
Caroline Burns Cooke uses storytelling and physical performance to breath life into this true story of Munchausen by proxy.
So what did Harvey Weinstein and the fifteenth century European ruling classes have in common? Exactly. A lot. English has achieved a phenomenal amount. She co-ordinates everything as she directs and manages her own minimal props.
The Fabulous Bäckström Brothers
An operatic clown show, first performed in Helsinki in September 2014.
The Morning After The Life Before
A perfectly rendered, heart-warming, necessary light in the darkest of moments.
The Odditorium Tribute to Ken Campbell
of you and won’t let go. Most theatre makers of whatever stripe are pretty clear Ken’s a game changer.
The Sorrowful Tale of Sleeping Sidney
This is a gem of many colours. Do see it. The miraculous construction’s matched by Jordan’s storytelling and sense of dark mischief. In Jordan’s hands it’s a re-possession of lost innocence by a strange sleight of a knowing child.
A finely crafted set of interwoven monologues telling three women’s stories of love and loss
A show with a wise sweetness at its core; a brightness to cast the growing shadows out there.
An uninvited journalist knocks on the door of a Holocaust survivor, for an unexpected interview.
Susanne Crosby’s Waiting for is a four-hander with a social reckoning, and very unexpected plot point. The audience was packed. There’s a quietly sad magic to this low-key play; people recognize themselves in it. It speaks.
There’s first-class musical entertainment here, crouched under the disguise of a schoolboy plot. Irresistible.
BLT have produced in less than two weeks two outstandingly fine full-length productions. This latest offering confirms this theatre’s confidence in producing stark contrasts: an unfashionable yet horribly topical drop of silence into a bustling city.