Brighton Fringe
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Brighton Fringe 2022
Winner of the Rialto New Writing Scratch 2020. Look out for this play when it returns.
Accidental Birth of an Anarchist
A thoroughly absorbing play whose polemical agency is none the less tempered by the people it’s refracted through.
Superb revival of Charlotte Jones’s play about two women incarcerated for fifty years for bring different. With a standing ovation of such force that convention had to be broken with the actors forced back on stage.
If it’s drama you’re after in Brighton Fringe, this is one of the two or three essential stops. Thrilling, authoritative, with Greene the jewel in a sparkling ensemble.
A superb revival of Bartlett’s warmest, most ground-breaking, perhaps most enduring play so far.
Bonkers brilliance. Cocky couldn’t have been premiered with two more stunning actors, and the author’s flawless stepping-in remains remarkable.
Raine balances articulate ferocity with its opposite: a broken plea. Scott Roberts’ revival improves on the NT premiere. In his hands Consent’s a small classic.
Acting here is tighter than any version I’ve seen. This revival of a modern classic has to be the best of the Fringe so far.
A film censor navigates turbulent times in his work and at home - a comic one-hander with some horror thrown in.
As a condensation and enactment of Woolf’s seminal text this can’t be improved on. The outstanding one-person show I’ve seen this Fringe.
Spirit of Woodstock 2 – The Sequel
There’s no greater writer/performer working in Brighton, or Sussex, and Spirit of Woodstock Parts I and 2 is Jonathan Brown’s most dazzling show to date.
Chittenden’s done a great service not only to Mary Shelley’s novel, but to the way we imagine. And Amy Kidd’s exemplary.
The latest play by Brian Mitchell (Lord God, Ministry of Biscuits) and Joseph Nixon (The Shark is Broken)
