FringeReview UK

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FringeReview UK 2024

Blonde Poison

An outstanding production.


Good-Bye

Wholly absorbing, wholly other, it’s a gem of the Coronet’s dedication to world theatre.


Kafka

It’s Klaff’s improvisatory edge, founded on absolute technique and clear-headed text, that finds an exit where none was signposted. Magnificent.


Kunstler

An outstanding production persuading us such a self-narrating show can enthral as well as inform. A hidden gem.


Laughing Boy

Stephen Unwin directs his own play as a sweep of storytelling, laughter and devastation.


Sappho

A bit of theatrical democracy invoking pre-democracy crafts an exquisite irony for a rainy afternoon. Do see it.


Storming!

Stands alone, a wholly original twist to a growing alarm-bell of ethics.


The Girl in the Green Jumper

A first-rate production, with West-End values. A must-see.


The Good John Proctor

A valuable corrective to anticipate both real events and Arthur Miller’s take on Abigail Williams


The Hills of California

For nearly any other playwright, this would count as something of a masterpiece.


The Motive and the Cue

An extraordinary production. Thorne’s vision is capped by a riveting performance by Gatiss, who glows with the still, sad music of Gielgud’s humanity.


The Tailor of Inverness

A gem of a piece, that only brightens.


The Trumpeter

Verging on expressionism it’s extraordinary.


Turning the Screw

This six-hander is a 90-minute announcement of a major talent. An almost flawless play.