FringeReview UK 2022
It’s like being illumined from a trip-light.
No simple swapping of heirs and originals, but a dream of the future by Seacole, or equally present dreams raking the past. Do see this.
A gem of a production, Taylor McClaine a soaring talent to watch.
Stands alone, a wholly original twist to a growing alarm-bell of ethics.
There’s many reasons to see Williams’ finest play. To realise our potential it’s not enough to have dreams, but for someone to show us what those dreams could be.
Such exquisite works find their time; speak to it again and again and again.
Pamela Carter’s schoolboys embody human connectedness, warmth, a final camaraderie before the chill of history. Unmissable.
Not so much an event as a concentration of Errollyn Wallen’s genius celebrating the life of blind composer Maria Theresia van Paradis, in Graeae’s world-class production