FringeReview UK
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FringeReview UK 2025

We must be grateful for this compelling revival, and wait for more from the National’s Black archive.

Easily the most joyous musical we’ll see this side midsummer, Cry-Baby in this production blazes fit to set another fire in Dalston

One of the most uneven of late plays, its heights have to be seen; and though there’s pitfalls, this absorbing production surmounts most. A feat.

ETT’s gallimaufry stimulates, frustrates, occasionally fascinates. A more selective through-line would have revealed a mineral gleam, a new earth of tyranny.

This grips anyone who can’t let first love go, anyone who stares homeward even now, wild with all regret. Unmissable.

It begs questions: what couldn’t we do, if placed outside our own comfort station in life? Essential theatre. essential questions. A gem.

Vaughan Williams, J.M. Synge Riders to the Sea
Betteridge’s prologue is certainly worth seeing even if you know the work, and won’t need persuading. And after the opera, the rest is surf, and silence.