Review: Benidorm Live

Heartwarming. It has the brash conviction of it origins, out and proud of it.


Review: Ghost

You’ll know the film. Despite the volume, you should know this.


Review: Edward I

Could this be staged any more convincingly? Superb.


Review: Superhoe

A searing new talent.


Review: The Merry Wives of Windsor

Sparkling, a sassy, sexy, sure-footed revival. On its own terms, could it really be bettered?


Review: The Double Dealer

I doubt if there’s ever been a production as good as this.


Review: Doctor Faust

If this Wanamaker is hell, you should queue for two-and-a-half hours of it.


Review: Romeo and Juliet

This Romeo and Juliet has all the pace and heart any production, modern-dress or period, demands. Karen Fishwick’s radiant Juliet is the soul that imprints itself on it.


Review: Hole

Wow drama, the original Greek tragoidia. It invokes the same powers, almost the same gods.


Review: Albach Guitar Duo Recital

A highly distinguished duo, with a repertoire both intelligently chosen and superbly executed


Review: Antony and Cleopatra

Supremely worth it to see a pair so famous weighing equal in their own balance, perhaps for the first time.


Review: Madagascar The Musical

Highly Recommended for monkeys and lemurs of all ages – quite apart from lions, zebras, hippos and giraffes.


Review: Still No Idea

Laughter’s the best start to killing ignorance. See it.


Review: Fame

Excellent feelgood musical though there’s superabundant dance content.


Review: Allelujah!

Bennett’s exhorting us to fight back with laughter and rage in this riveting, timely play. It’s a sad and angry consolation.


Review: Karen Sharp Trio

A wonderfully mellow set of performances, and thoroughly recommended.


Review: Antony and Cleopatra

Supremely worth it to see these characters weighing equal in their own balance, perhaps for the first time.


Review: Poet in da Corner

Exemplary, thrilling, adrenalin-shot and shout-worthy. There has to be a part two, and it ought to be soon.


Review: Dirty Dancing

There’s a fitting heart-warming climax to a dream of production. And a surprise to those who think they know the film.


Review: Eyam

A ringing, tolling end to a pioneering season. This play must have a life – and already possesses a miraculous importunity.


Review: Emilia

This is a necessary, thrilling play, its energy and message spill straight into the audience.


Review: Othello

Othello will never quite seem the same again; that’s an achievement and a marker.


Review: Sisterhood

Three Women Convicted of Witch Craft Make Peace with Their Fates and Reveal How Little Has Changed


Review: Animal Farm

A swift and telling production that’s quick-swerving on its feet with memorable vocal projection and physical acting that’s a delight and enticement. This outstanding outdoor version feels special.


Review: Lucia di Lammermoor

This is a stunning pocket-sized opera-house quality Lucia. You won’t find a better-sung, more affecting Donizetti this year.