Review: What Girls Are Made Of

Cora Bissett’s set the bar thrillingly high for a new genre. Who could follow her?


Review: BBC Proms 69

An immensely satisfying traversal into darkness.


Review: Bartholomew Fair

If only one could see it twice: but try it at least once.


Review: BrOg

An excellent hour of traditional Scottish music


Review: The Doctor

A triumph for all concerned. Juliet Stevenson even gains in stature. Icke’s last production could hardly go better than this.


Review: As You Like It

A heartwarming revival. Jack Laskey, Bettrys Jones and Nadia Nadarajah have made a space for this As You Like It well beyond its initial moment last year.


Review: Swim

A dreamy piece of theatre combining storytelling, live music and visuals exploring grief, swimming and friendship.


Review: The Mill on the Floss

Stunning. This consummate, flawless production is an event for BLT and Brighton


Review: LIPS Ensemble

Consummate and pretty well flawless. Unique and uniquely lively in their field.


Review: Parakeet

A new play about finding your flock in a world that doesn't seem to care


Review: Frisky and Mannish: Poplab

An hour inside Frisky & Mannish’’s ‘Poplab’ is a complete crowd-pleasing riot. Feel-good vibes only!


Review: Birth

A pitch perfect piece of physical theatre, exploring themes of family connection, parenthood and loss.


Review: Fiver

An enchanting speed-read of our connectedness, a reminder that a fiver can change your life. Irresistible.


Review: Peter Gynt

In McArdle’s irresistible performance you’re not likely to see a finer Gynt.


Review: The Flies

There’s nothing like the Exchange’s approach: their bi-lingual virtuosity burns questions.


Review: Salome

A spellbinding live soundtrack to a visually stunning silent film


Review: Gone Edinburgh

Scottish folk music peppered with social justice themes and mischievous grins


Review: Henry V

The enormous energy Sarah Amankwah brings proclaims greatness in the making


Review: Out of Water

Anything Zoe Cooper writes now must be keenly anticipated.


Review: The Glass Piano

A bewitching mix of deconstructive magic and fabulous therapy, it’s above all Grace Molony who brushes distinction into this already distinctive production.


Review: Three Sisters

This absorbing production keeps growing in the mind, like to take root.


Review: After Edward

This has to be the smartest debut from this venue since Jessica Swales’ Bluestockings: no wonder the playscripts sold out early.


Review: Richard II

A searingly precise essay on the corruption of entitlement.


Review: Benidorm Live

Heartwarming. It has the brash conviction of it origins, out and proud of it.