Review: Glitch in the Myth
A timeless archetype reimagined through a woman's perspective, capable of resonating with audiences everywhere
Genre: Physical Comedy
Review: Masquerade Mask
Commedia dell’arte at its highest level of quality imagined in its celebratory setting
Review: Twisted Tales
One mat, six players and bundles of talent in this dynamic ensemble. Bringing Total Theatre back!
Review: Furious
Daly is the Pied Piper of Edinburgh – Enchanting, witty, interactive and relatable. A one woman show that pokes fun at satirical characters from her past!
Review: Bowjangles: Dracula in Space
The stakes are high, as a talented string quartet encounter Dracula, with tremendously entertaining shenanigans aplenty
Review: Fruit Flies Like a Banana
No banana could fly as fast as these three virtuoso performers in this must see show as they combine virtuoso musicianship with acrobatics and dance
Review: Earwig
A fast-paced elegant exploration of female emancipation in the 1920’s world of entomology (things with wings that sting!)
Review: Candide
"Brimming with ideas, full-blooded and full throated performance, Candide is presented successfully in a way only Babolin theatre can achieve."
Review: The Black Blues Brothers
An explosion of joy with the music of The Blues Brothers as a backdrop and unremitting physical wonderment as an entertaining treat.
Review: Cluedo
An object lesson in comic timing; a steep cut above the ‘real’ whodunnits we’re likely to see this year or next.
Review: Moral Panic
A film censor navigates turbulent times in his work and at home - a comic one-hander with some horror thrown in.
Review: The Merry Wives of Windsor
One of the two most cogent, most fun Merry Wives of recent years.
Review: Beep Boop
A one man mime and physical comedy theatre show with a live digital soundscape, exploring society’s uneasy obsession with online life and the curious delusional pull away from an actually lonely reality.
Review: 2100: A Space Novelty
To boldly go where some people have gone before, but to do it really really well.
Review: The Play That Goes Wrong
A play about amateurs no amateur company should even dare contemplate. There’s genius in the timing of all this. Outstanding.
Review: (Even) Hotter
A hilarious expose of what is hot, in your body, for your body and with other bodies.
Review: bloominauschwitz
A riff on James Joyce’s Ulysses exploring Bloom’s Jewish heritage as he time travels through the 20th century.
Review: A Joke
A joyful leap into the unknown. These incredible performers take you on masterclass of japery.
Review: The Fabulous Bäckström Brothers
An operatic clown show, first performed in Helsinki in September 2014.
Review: Tits in Space
A show with a wise sweetness at its core; a brightness to cast the growing shadows out there.
Review: Arr We There Yet?
A Madcap Mashup of Circus and Storytelling with a Little Tango for Extra Spice
Review: Pigspurt’s Daughter
Guardian obituary, 2008. ‘Ken Campbell was one of the most original and unclassifiable talents in British theatre of the past half-century.’ It just happens that his daughter Daisy is both that and far more. She’s one of the most cunning crafters of comedy and storytelling in the anti-business
Review: Ken
Terry Johnson’s two-hander might seem a low-key hommage but his script’s brilliant. It’s a re-affirmation of Campbell’s comic epic theatre, and inspires you to look out for what his daughter Daisy might be bringing to us at the Brighton Festival.
Review: The Messiah
Incestuous stars, passing of the ears, deep heat as a condition not an old muscle unguent. The dotty felicities of Patrick Barlow’s language in The Messiah directed by Rod Lewis are easily masked in the Norman Wisdom-like pratfalls of his hapless duo. Unless you add Mrs Flowers; and you should.
