Genre: Storytelling
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Review: Women’s Writes
We’ve been lucky to sit in on the first stage of a very promising conversation collaboration, and theatre piece.
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Review: Macready! Dickens’ Theatrical Friend
Nineteenth century actor and impresario is brought to life by Mark Stratford
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Review: J’ai un Bleu
J’ai un Bleu manages to covey through movement what words simply cannot express. The objectification of the female form.
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Review: Lived Fiction
Unique, spellbinding, groundbreaking; above all makes everyone more alive to the possibilities of being human.
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Review: Divine Ride…..or Wait?
An immersive, thrilling, and thoughtful experience that calls on the artist in all of us.
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Review: Gerald Dickens Performs a Christmas Carol
In stripping down everything to the text and the performer, we are reminded of the proficiency of both, and its a truly delightful thing to experience.
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Review: Men Talking
The end, as it inevitably must be, is a way of recollecting emotion with emotion. An inspiring act of witness, before others, and beyond ourselves.
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Review: This Way For The Gas, Ladies and Gentlemen
Based on the writing of poet Tadeusz Borowski and the paintings of Arnold Daghani This Way For The Gas bears explosive witness to shape the pulse of that post-Holocaust world. Bill Smith, Angi Mariano and their colleagues have wrought an enormous service. In the last great reprise of 'Never' we realise we're seeing the finale of an emerging masterpiece.
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Review: Kieran Hodgson: Big In Scotland
Through skilful storytelling we are immersed in a tale that brings to life character after character with sharp cutting whit
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Review: SHOOT THE CAMERAMAN
Enthralling. Poignant. Unforgettable. Two cameras. One couple. A beautiful dance between the private and public world of this turbulent couple. Not to be missed!
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Review: Furious
Daly is the Pied Piper of Edinburgh – Enchanting, witty, interactive and relatable. A one woman show that pokes fun at satirical characters from her past!
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Review: Character Flaw
Heartfelt, connected and more than just a little bit touching, Character Flaw is a train ride you'll be glad you hopped on board for.
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Review: Bumble’s Big Adventure
A worthy attempt at addressing the environmental impact around us and trying to teach the youngest about the natural world.
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Review: Alison Skilbeck’s Uncommon Ground
Six seemingly unconnected lives are brought together during lockdown
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Review: Rites of Passage
A new play from two compelling performers, fascinating, moving, and relatable.
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Review: The Mitfords
The play will make you want to learn more about its subjects, and Emma Wilkinson Wright’s phenomenal performance that makes this show particularly gripping.
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Review: Wee Seals and Selkies
A beautiful wee family show that manages to combine gentility with the warmth of good stories really well told.
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Review: The Lost Lending Library
Theatrical storytelling, fascinating, engaging and creatively designed!
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Review: Mohan: A Partition Story
The story of Indian Partition, as recounted by the 11 year old boy who bore witness.
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Review: Esther’s Revenge
Moving and incredibly powerful - A must see! Representation for Esther Ada Johnson, based on true life events.
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Review: The Burning of a Sicilian Whore (Blood Rain)
The tale of a seventeenth century courtesan, turned poisoner
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Review: Toy Stories
A journey via 1970's model cars digs into history, family and politics, connecting across the decades with art at its heart.
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Review: My First Time Was in a Car Park
Compelling story telling about the First Time and its aftermath
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Review: Out of the Frying Pan
If you know Judy Upton as a playwright you might have an inkling what to expect in this debut fiction. Witty, observant, self-deprecating, very funny, full of subversive glee, with its own moral field. I’d put nothing past this extremely gifted writer
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Review: Hakawatis Women of the Arabian Nights
Original, bawdy, exploratory, seductive and elegaic in equal measure. A Faberge egg, continually hatching.
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Review: Pretty Beast
Vibrant performance, which runs the entire range of emotions, told with humor, poignance and searing sadness.
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Review: Silence
More of a scattering of earth, ashes and love than simply groundbreaking. But caveats aside, groundbreaking it is.
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Review: Tam O’ Shanter – Tales and Whisky
Burns' and other gothic poetry and stories told with a dram of whisky
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Review: We Were Promised Honey!
An astonishingly well-crafted and compellingly well told piece of outstanding theatre.
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Review: The Man Who Planted Trees
Charming story, masterful storytelling, entertaining and enlightening show imaginatively brought to life with beautiful sets, props and puppets.
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Review: Ghosts of the Near Future
An engaging combination of heroic journey, magic show, and story-telling about life and death. Ghosts of the Near Future took place in an atmospheric fog-filled amphitheater at noon on a sunny day. A home-made brew of great integrity, creativity and enjoyment.
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Review: Famous Puppet Death Scenes
"A visually appealing and brilliantly creative massacre of tiny people."
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Review: Dirty Dancing
There’s a fitting heart-warming climax to a dream of production. And a surprise to those who think they know the film.
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Review: Silent
Bravura storytelling about fantasy and family from the perspective of a homeless man in Ireland
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Review: The Man Who Planted Trees
A must-see performance of a moving and timely story told by two men and a dog- an inventive treat for adults as well as kids
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Review: Hamilton and Me: An Actor’s Journal
In rapid, elegant, idiomatically kerned language, Giles Terera proves himself a superb expositor of where it happens.
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Review: Elsa McTaggart : When The World Stood Still
Foot tapping tunes emerge from a surreal lockdown experience.
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Review: Ellipsis
A mix of stand up and confessional which is funny and tragic in almost equal measure.
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Review: The Power of Silence
Memories, imagery, tender and searing recollections - it creeps up on you!
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Review: Evening Conversations/Life Laundry
Engrossing, it should provoke. Sudha Bhuchar absolves us by being bloody funny.
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Review: Troy Story
Again the most educative stand-up and a thrilling presentation. Oh and bloody funny on war, male sexuality and the Bechdel Test.
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Review: The Girl Who Was Very Good at Lying
Andrews vividly conveys what it is to be an undone thing, someone unravelling tales to live.
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Review: More Grimm Tales
A rollicking production with razored timing, musical cues and ad-libs worked in to half-second slots. A must-see.
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Review: Deaf Ears: How I Learned To Hear
Friedman’s a spellbinding storyteller in the lives he’s immersed himself in listening to.
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Review: Pandora’s Jar/Honour Among Thebes
The most educative stand-up and a thrilling presentation. Oh and bloody funny on the tragedies.
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Review: There’s a Ghost in My House
Stunning. Greet the nothing that is not there, and the nothing that is.
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Review: The Rape of Lucrece
The definitive way to experience this troublingly great, disturbingly unresolved poem
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Review: Hole
Don’t miss the chance to see this transcendent actor prove she possesses another dimension altogether.
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Review: Sacrament
A revelation, superbly written and acted. Comparisons have been made with A Girl Is A Half-formed Thing. I can think of no higher praise either. You must see this.
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Review: Living Newspaper #7
Like all the Royal Court’s Living Newspaper series, we need this. Watch a group of young dramatists take on the future
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Review: Living Newspaper #6
Like all the Royal Court’s Living Newspaper series, we need this. Watch what this does with the future
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Review: Icarus
After all the gods and their lack of choice, we come to the final instalment, the human dimension. Where we have one. A heartfelt, satisfying finish.
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Review: Orpheus
A terrific reinvention, bringing gods and heroines up from the death of myth to an altered world.
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Review: Living Newspaper #3 Royal Court Theatre
Hot off Sloane Square a team of writers, actors and creatives twist the news to truth
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Review: New Moon Monologues March
Don’t be lulled by the friendly colours and fluffy fonts. Queen of Cups is absolutely a company to watch, and its showcase productions are literally unmissable
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Review: Love’s Poison
Whether as James Allen's play The Engagement, or as narrative, Love’s Poison should be seen or read by everyone.