Edinburgh Fringe 2012
A witty, satirical and entertaining look at modern Edinburgh through the poetry of Ron Butlin, accompanied by the evocative music of Dick Lee and Anne Evans. Entertaining.
I followed the late afternoon crowd through Edinburgh’s famously sumptuous delicatessen Valvona & Crolla, not entirely sure what to expect from the show’s billing. It proved to be a superb combination of poetry and music by trio Dick Lee on bass clarinet, Anne Evans on flute and Ron Butlin reciting from his latest collection of poems, The Magicians of Edinburgh (Polygon).
Ron Butlin was appointed Edinburgh’s own offical poet (or ‘Makar’) in 2008 after a lifetime in music and writing (including novels, short stories and plays); and since then he has celebrated the city’s highs and lows in some of the most original and evocative verses to come out of Scotland.
The opportunity to hear him talk about and recite his poems was something special and the music is more than just an afterthought: Butlin and Lee have worked together on operatic projects and both Lee and Evans are highly accomplished musicians. The combination of all three promised great things.
As the lights dimmed Evans and Lee took to the stage, beginning with their specially crafted piece ‘The Magicians of Edinburgh’, the lighter notes of the flute combining beautifully with the darker chocolate tones of the bass clarinet in an evocative melody. They were then joined on stage by Ron Butlin, who proceeded to take the spellbound audience through a selection of his works accompanied by Evans and Lee. The whole performance was magical, witty and a tribute to the poetic genius of Butlin: it is always special to have a poet recite his own work with special emphasis, but the experience was added to here by the beautifully arranged music. A truly wonderful experience.
Cosily, Butlin took the audience through the thoughts and inspiration for his poetry in between readings, and we were treated to trampolining bankers in ‘The New Town’s Response to the Threat of Global Warming’, ghosts and bogles in ‘Beware!’, a talking tram car in the gloriously Burns-like satire ‘Oor Tram’s Plea tae the Cooncillors O’ Edinburgh’ and the poets shining love of this city in ‘The Magicians of Edinburgh’.
Ron Butlin is the voice of Edinburgh; and for any Fringe follower intent on learning about the modern city behind the Festivals, or wishing to become the sorcerer’s apprentice, this production is a must.