Review: John Gibson: The Likes of Me

A blend of humour and heart in a thoughtful tale of class, identity, and the long journey to the Fringe.


Review: Steffan Alun: Stand Up

An excellent hour: smart, heartfelt and genuinely funny. It’s not just comedy, but a joyful act of solidarity.


Review: Dots

Exploring a woman's relentless battle against feelings of doubt and hopelessness


Review: Slomosexual

Disarmingly frank and hilarious life story of Singapore’s self-proclaimed biggest lesbian.


Review: Casino?

Lifting the veil on hospitality


Review: Yellow

Not black in my mind, though yellow in my legs


Review: Jena Friedman: Motherf*cker

Seeing this show once is not enough.  Although you will catch all of the jokes, you will want to hear them again – and again.  Every line hits. Friedman is so intuitive, such a great observer of human behaviour and insightful analyst of the political landscape that you want to not only remember her stories but the way in which she imparts them. 


Review: A Cause For Laughter

Go see this slick, funny, lively show, get new ideas for stand up shows to see you’d like to see next, and support the Center for Gender and Refugee Studies while you do it


Review: Flush

Hilarious, deep, embarrassing! Amazingly talented ensemble, great writing!


Review: Darren Leo: Good Engrish

A sharp, funny, and heartfelt blend of storytelling and stand-up exploring one family’s leap from Taiwan to Canada.


Review: Two Hearts: Don’t Stop Throbbing

The husband and wife pair bring their sharp, observational-comedy songs back to Pleasance Two for a show guaranteed to make you laugh until it hurts.


Review: Dead Man Talking

A neat premise in a comedy world where “the sad bit” has become well-worn. The vibe is having-fun-at-a-wake.


Review: The Faustus Project

A hilarious evening with an unsuspecting guest who just happens to be the star of the production.


Review: Austentatious

Come for the wit; stay for the reflections on the building blocks of neoclassical romanticism.


Review: Brainsluts

What would you sacrifice for a few thousand pounds?


Review: Lily Phillips: Crying

Delivering double-punch jokes, Crying explores what happens when the birth of your child doesn’t quite match what Instagram promised.


Review: Paul Williams: Don’t Look at Me

Williams creates the intimacy required for exceptional comedy, a challenge given Roxy Upstairs’ leaning toward conventional plays and musicals.


Review: Super Mama

Lithuanian comedian makes her debut at the fringe with a story about almost forgetting yourself after becoming a mum.


Review: INERTIA

Epic Youth Circus - jammed packed talent for all the family to enjoy!


Review: Short Plays 2025

Enough here to engage and make anyone who’s not yet ventured to NVT to keep coming back. Do see this collation of crazies.


Review: Untamed

"a vivid and satisfying retelling of a story that remains relevant and powerful."


Review: Top Hat

The most joyous musical of the summer. And it has a summer heart that never cloys. A sizzling must-see.


Review: À Fleur de Mots

A poetic performance that brings to life the immaterial essence of our soul


Review: The Merry Wives of Windsor

Sean Holmes has conjured the most intelligently re-thought Merry Wives of recent years with a convincing take on Mistress Ford. The last few gestures in this show change everything that might follow.


Review: Amour Utopique

A solo clown circus show with the potential to grow into something more refined and impactful


Review: Chez Lui

A superb solo mime and clown show taking the audience into the intimate and mad world of its protagonist


Review: James Inverne That Bastard, Puccini!

With such a script, cast and production values, this is a sure-fire hit, a gem deserving of longer runs too. Don’t let this be a one-run wonder!


Review: Claire Dowie See Primark and Die Finborough

There’s more than a touch of Ken (even more, Daisy) Campbell about the way Dowie structures her circular storytelling. Here it’s at its most consummate, most artful and repays re-reading to catch Dowie at your throat.


Review: Sheridan The Rivals

This company re-thinks Sheridan in his spirit: clear and steady as lead-crystal struck through with sun. The inventiveness of filleting the text to guy the fact of a five-strong cast is part of their distinction. It’s a must-see.


Review: CatGPT

"one of the strangest and most original shows at the Fringe."


Review: Do All The Things

Give them a series! Play along with A&E Comedy's fun-filled cabaret show.


Review: The Heterosexuals

A terrifying(ly funny) stand-up comedy about the scariest thing out there: heterosexuals


Review: Stephen Sondheim, David Ives Here We Are

Altogether this mightn’t be in the top tier of Sondheim musicals, but it’s one of the most interesting, even profound, and Sondheim exits with a rapt question-mark. Unmissable.


Review: Rank

A debut play by Goldie Matjas. - 'Waiting for Godot' meets 'Fleabag'