Brighton Year-Round

A Midsummer Night’s Dream

Outdoors, this has grown prodigously. Some actors give transcendent performances up there with London’s finest. Out in the slant air this proves magical.

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Di and Viv and Rose

A first-rate revival of this heartwarming play, surprising you with grief, and joy

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Dracula

You should see this with some fine acting and a storyline making more sense of Dracula than Stoker does himself.

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Julius Caesar

A fleet powerful Julius Caesar, with some outstanding performances

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Looking Good Dead

A first-rate production. If you enjoy thrillers, you must see this.

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Miss Julie

The end is like life-blood draining away. It’s what Strindberg meant. See it.

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Our Little Surprise

An attractive, gentle meditation on family, with spectral undertones.

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Richard II

One of OFS’s strongest productions, it’s also a return to roots.

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Steam

There’s a grain in this play promising the transcendent.

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The Cat and the Canary

If you’re a Classic Thriller Theatre Company fan, don’t hesitate. Though we can be grateful to Bill Kenwright for trying out these creaky creepies, a serious bit of thought ought to go in to just what genres they are first.

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The Chalk Garden

Not quite the last drawing-room comedy. But the Janus-faced prophesy of plays that took thirty years to catch up.

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The Dresser

If you’ve not seen The Dresser, you shouldn’t pass up this production.

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The Merchant of Venice

This production needs a run. It’s potentially a great interpretation.

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The Winter’s Tale

A production showing the company’s unique slant on Shakespeare

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The Woman in Black

As fine a touring production as you’re likely to see

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