Review: Cow/Deer

Emphatically theatre worth doing, worth attending, worth fighting to clarify and worth being changed for.


Review: Birch Romans

The most absorbing play of the season so far.


Review: Deaf Republic

Its claustrophobia overwhelms and moves, whilst leaving Dead Centre room for yet another slant on Ilya Kaminsky’s imaginary.


Review: Darkfield: Radio

An immersive experience guaranteed to send a chill down anyone’s spine.


Review: Arcade

A Fringe experience like no other.


Review: The Faustus Project

A hilarious evening with an unsuspecting guest who just happens to be the star of the production.


Review: 21 New Messages

An interesting take on how you decipher messages left in your deceased relative’s answering machine.


Review: Short Plays 2025

Enough here to engage and make anyone who’s not yet ventured to NVT to keep coming back. Do see this collation of crazies.


Review: UnTethered

UnTethered could be outstanding and groundbreaking. What Tara Sirois does next could, and should, unnerve everyone; including herself.


Review: La Femme des Sables

A dance piece investigating how pain becomes a catalyst for spiritual enlightenment


Review: Push and Pull

An extraordinary performance exploring the push and pull dynamic of a relationship touching deep emotional strings


Review: Formosa Viva

A catchy dance theatre performance displaying Taiwan's historical heritage through movement and dance


Review: À Fleur de Mots

A poetic performance that brings to life the immaterial essence of our soul


Review: Percolate

Fresh coffee and the creative process explored


Review: The Leonora Banquet

Saddle up for an evocative ride through Leonora Carrington's dreamworld


Review: Jon Fosse Einkvan

An opaque, compelling gem from Det Norske Teatret and its director Horn; and the wonderful Coronet.


Review: Earth Teeth

They ask the Earth to listen - but what will the Earth ask in return?


Review: VVAIF

Experimental, poetic, slow, and precise


Review: Lula Mebrahtu I Am – OommoO

Everything you’ve heard is true. Lula Mebrahtu is memserising, and I Am – OommoO like its creator has vast potential.


Review: Teatro dei Gordi: Pandora

It begs questions: what couldn’t we do, if placed outside our own comfort station in life? Essential theatre. essential questions. A gem.


Review: Goner

A radical vision of horror which challenges from the beginning right through to the end.


Review: Agleyum Cliyopatrayum

An original blend of physical theatre and Indian ritualistic elements conveys the unconscious emotional worlds of two archetypal female characters.


Review: Cutting the Tightrope: The Divorce of Politics from Art

An essential, raging and ranging collection of works flashing with humour and teeth, flecked with harrowing stories and above all love for a humanity the establishment wishes us to other and consign to tragedy. A must-see.


Review: FAMEHUNGRY

A bold, in-your-face piece that challenges our perceptions of social media


Review: Fille De Mon Coeur

An investigation into the relationship between Antonin Artaud and Colette Thomas.


Review: Layers

Delicate and fragmentary theatre exploring the impact of Dementia


Review: Nobody Meets Nobody

A relationship like no other - an experiment of the best kind. Emotive. Powerful. Relatable.


Review: The Years

This production reminds us it’s often the least theatrical, least tractable works that break boundaries, glow with an authority that changes the order of things.


Review: Geneva Convention

As this gets quieter, it shouts more loudly. Exciting as this is, it will devastate when it finds its arc. This might ascend into something crucial.


Review: Women’s Writes

We’ve been lucky to sit in on the first stage of a very promising conversation collaboration, and theatre piece.


Review: Materia

A strangely compelling oddity that plays with the possibilities of form to illuminating effect


Review: Twisted Tales

One mat, six players and bundles of talent in this dynamic ensemble. Bringing Total Theatre back!


Review: Seasons

A tapestry of concrete dialogue interwoven completely with stunning poetry prose.


Review: Good-Bye

Wholly absorbing, wholly other, it’s a gem of the Coronet’s dedication to world theatre.


Review: The Beautiful Future is Coming

Beautiful Future engages throughout though the near future is where it beats quickest. Flora Wilson Brown’s play makes you wonder what life, not just the playwright, might do with her characters. Urgently recommended.


Review: Purgatorio

Groundhog Day - Saying goodbye to old memories, whilst finding new ones. A beautiful physical representation on our ability to accept who we truly are! Get down to Club Purgatorio!


Review: AFTER ALL

Weinachter is an interchangeable chameleon: not just a dancer, but a rare performer who can do it all! Her style and execution of ideas paints a beautiful memory of her idiosyncratic talents in exploring the beginning and end of life. Stunningly poignant.


Review: CREEKSHOW

An evocative and touching personal take on a hidden corner of London’s waterways.


Review: BUTCHERED

The physicality of Ez Holland and Nic Lawton has to be seen to be believed.


Review: Lovefool

Though it might be red-topped as a Fleabag for the abused, it’s so much more excoriating. It’s also a work profoundly moving, necessary and – particularly for Gintare Parulyte - an act of courage. Lovefool’s on till May 26th; do rush to this 55-minute must-see.


Review: Manic

A new solo show that combines puppetry, spoken word and theatre to bring an honest look at sex and trauma to Brighton Fringe 2023


Review: Not One of These People

Worth 95 minutes of anyone’s time, you come out heavier with the weight of where you’ve been.


Review: Caligari

a 1920's silent film about power and illusion retold by a talented young company of musician/actors


Review: Ghislaine/Gabler

A spell binding multi layered exploration of privilege, entitlement, and the desire to control…


Review: Seance

A short but extremely satisfying diversion


Review: Astra

There’s nothing remotely like it and Foyle’s team have broken through to the stars.


Review: The Wrong Planet

There’s a great act struggling out of this blissfully baggy monster.


Review: So…

Brand new show by performance makers Jon Haynes and David Woods


Review: Because I Can

A challenging exploration of losing power and relevance as we age.


Review: How It Is Part 2

Immersive, outstanding, unrepeatable and unimaginable anywhere else


Review: Distance Remaining

A quirky film, beautifully acted about three separate lives.


Review: The Dream Train

Contemplative and beautiful to watch, 4 characters interact in juxtaposed realities underscored by Bach's Goldberg Variations


Review: The Sensemaker

An astonishing, disturbing shapeshifting sliver of genius.


Review: A Separate Peace

Stoppard looks at society’s phantom limb ethic. Even when it’s gone it aches, and it aches to have someone opting out.


Review: Far Away

Our greatest playwright since Beckett and Pinter. An outstanding revival. Hesitating?


Review: {BLANK}

Compelling and bleakly miraculous


Review: Timandra Harkness: Take a Risk

Timandra Harkness is an intelligent and interesting performer, calmly steering us through a show exploring the concept of risk taking, that didn't need to work hard to keep our attention.


Review: The Voices We Hear

A moving and intimate exploration of life and connection after an apocalypse in a unique zero waste venue