Review: Cow/Deer
Emphatically theatre worth doing, worth attending, worth fighting to clarify and worth being changed for.
Review: Cow/Deer
Emphatically theatre worth doing, worth attending, worth fighting to clarify and worth being changed for.
Review: Ministry; Or, The Surgical Revelation
a medical examination unlike anything you’ve ever seen before
Review: Deaf Republic
Its claustrophobia overwhelms and moves, whilst leaving Dead Centre room for yet another slant on Ilya Kaminsky’s imaginary.
Review: Because You Never Asked
Fascinating and provocative physical movement, memory and a hidden past.
Review: The Faustus Project
A hilarious evening with an unsuspecting guest who just happens to be the star of the production.
Review: 21 New Messages
An interesting take on how you decipher messages left in your deceased relative’s answering machine.
Review: Short Plays 2025
Enough here to engage and make anyone who’s not yet ventured to NVT to keep coming back. Do see this collation of crazies.
Review: UnTethered
UnTethered could be outstanding and groundbreaking. What Tara Sirois does next could, and should, unnerve everyone; including herself.
Review: La Femme des Sables
A dance piece investigating how pain becomes a catalyst for spiritual enlightenment
Review: Push and Pull
An extraordinary performance exploring the push and pull dynamic of a relationship touching deep emotional strings
Review: Formosa Viva
A catchy dance theatre performance displaying Taiwan's historical heritage through movement and dance
Review: La Ultima Muñeca: A Theatrical Quinceañera
Profoundly beautiful immersive theatrical work about the end of girlhood
Review: Mario Banushi Taverna Miresia
Not even the world theatre powerhouse of the Coronet has hosted anything like this. Mario Banushi must be seen.
Review: Jon Fosse Einkvan
An opaque, compelling gem from Det Norske Teatret and its director Horn; and the wonderful Coronet.
Review: Samuel Rees and Gabriele Uboldi Lessons on Revolution
It’s intersectional, it’s personal, it’s interactive: all great reasons to see this play: unless you’re a board member of BP, or the government.
Review: Lula Mebrahtu I Am – OommoO
Everything you’ve heard is true. Lula Mebrahtu is memserising, and I Am – OommoO like its creator has vast potential.
Review: Teatro dei Gordi: Pandora
It begs questions: what couldn’t we do, if placed outside our own comfort station in life? Essential theatre. essential questions. A gem.
Review: Goner
A radical vision of horror which challenges from the beginning right through to the end.
Review: Agleyum Cliyopatrayum
An original blend of physical theatre and Indian ritualistic elements conveys the unconscious emotional worlds of two archetypal female characters.
Review: Cutting the Tightrope: The Divorce of Politics from Art
An essential, raging and ranging collection of works flashing with humour and teeth, flecked with harrowing stories and above all love for a humanity the establishment wishes us to other and consign to tragedy. A must-see.
Review: Fille De Mon Coeur
An investigation into the relationship between Antonin Artaud and Colette Thomas.
Review: Nobody Meets Nobody
A relationship like no other - an experiment of the best kind. Emotive. Powerful. Relatable.
Review: The Years
This production reminds us it’s often the least theatrical, least tractable works that break boundaries, glow with an authority that changes the order of things.
Review: Geneva Convention
As this gets quieter, it shouts more loudly. Exciting as this is, it will devastate when it finds its arc. This might ascend into something crucial.
Review: Women’s Writes
We’ve been lucky to sit in on the first stage of a very promising conversation collaboration, and theatre piece.
Review: Materia
A strangely compelling oddity that plays with the possibilities of form to illuminating effect
Review: Company RAus’s Dido
A multimedia portrayal of Dido's love and loss, in sound, light and solo dance
Review: Twisted Tales
One mat, six players and bundles of talent in this dynamic ensemble. Bringing Total Theatre back!
Review: Good-Bye
Wholly absorbing, wholly other, it’s a gem of the Coronet’s dedication to world theatre.
Review: The Beautiful Future is Coming
Beautiful Future engages throughout though the near future is where it beats quickest. Flora Wilson Brown’s play makes you wonder what life, not just the playwright, might do with her characters. Urgently recommended.
Review: Purgatorio
Groundhog Day - Saying goodbye to old memories, whilst finding new ones. A beautiful physical representation on our ability to accept who we truly are! Get down to Club Purgatorio!
Review: AFTER ALL
Weinachter is an interchangeable chameleon: not just a dancer, but a rare performer who can do it all! Her style and execution of ideas paints a beautiful memory of her idiosyncratic talents in exploring the beginning and end of life. Stunningly poignant.
Review: Lovefool
Though it might be red-topped as a Fleabag for the abused, it’s so much more excoriating. It’s also a work profoundly moving, necessary and – particularly for Gintare Parulyte - an act of courage. Lovefool’s on till May 26th; do rush to this 55-minute must-see.
Review: Manic
A new solo show that combines puppetry, spoken word and theatre to bring an honest look at sex and trauma to Brighton Fringe 2023
Review: BANSHEE/ WITH ECHOES FILLING UP THE ORBIT, BUT DAMAGED (EVERYTHING IS EVERYTHING)
An eclectic mix of challenge and theatre
Review: Sound of the Underground
It’ll remain one of the break-out, breakthrough, certainly ground-breaking shows this year.
Review: Not One of These People
Worth 95 minutes of anyone’s time, you come out heavier with the weight of where you’ve been.
Review: Caligari
a 1920's silent film about power and illusion retold by a talented young company of musician/actors
Review: Ghislaine/Gabler
A spell binding multi layered exploration of privilege, entitlement, and the desire to control…
Review: Artificial Intelligence Improvisation
Professional improvisers beware. The robots are after your jobs.
Review: The Dream Train
Contemplative and beautiful to watch, 4 characters interact in juxtaposed realities underscored by Bach's Goldberg Variations
Review: San Francisco Fringe Festival 2020 Sneak Peek!
Catch a taste of what's to come at the 2021 San Francisco Fringe Festival!
Review: A Separate Peace
Stoppard looks at society’s phantom limb ethic. Even when it’s gone it aches, and it aches to have someone opting out.
Review: Far Away
Our greatest playwright since Beckett and Pinter. An outstanding revival. Hesitating?
Review: A Letter to a Friend in Gaza
Amos Gitai’s curating hope from the ruins, impelling the audience to construct a narrative.
Review: Total Immediate Collective Imminent Terrestrial Salvation
The most consistently satisfying work of Tim Crouch I’ve seen.
Review: Timandra Harkness: Take a Risk
Timandra Harkness is an intelligent and interesting performer, calmly steering us through a show exploring the concept of risk taking, that didn't need to work hard to keep our attention.
Review: The Voices We Hear
A moving and intimate exploration of life and connection after an apocalypse in a unique zero waste venue
Review: The female role model project
Original, thought-provoking, ambitious, funny, absorbing, interactive and no sign of the 4th wall