Review: Large Trash Print
This very fine 2007 work by Jonathan Brown strikes a blow for tolerance and inclusivity now as it did a decade ago. Brown’s superlative writing and acting is ridiculously confined to this city.
Genre: Solo Show
Review: In Memory of Leaves
On a moored barge Natasha Langridge re-enacts her own In Memory of Leaves updated from a run last year to include this year’s tumultuous events. This is a fine, necessary work inevitably in progress. Let it settle in the water a bit more, and glitter.
Review: Wandering Bones
The true tale of an unpleasant 19th century Lothario and the murder of his unwitting wife.
Review: Prison Psychologist
A dark, intense and intimate story of love and tragedy. Worth getting up early for...
Review: Rightly or Wrongly, forBetter or Worse, the Fact is This is Tom Little
A wild ride of delicious word-play and storytelling from this instantly endearing comedian
Review: The Testament of Mary
A powerful and challenging reimagining of a story you thought you knew.
Review: The Science of Cringe
Picture a Venn diagram where behavioural science, character comedy and storytelling are intersecting the hell out of each other.
Review: It’s No Job for a Nice Jewish Girl
A debut solo show exploring the drive to fit in, with a bit about being a pop star.
Review: Knock, Knock
Niv Petel’s physical solo uses a unique point of view to draw back the thick curtain of politics in the Middle East.
Review: Shell Shock
And astounding performance in both a measured and frantic performance that brings PTSD from Tommy's living room into your conscience.
Review: The Conscious Uncoupling
Weaving comedy memoir and love letters in a story about breaking up
Review: The House
Enter the unique world of Jane’s dark comedy characters – five characters who are once again inspired by her roots in The Lakes
Review: Mikelangelo: Cave-Waits-Cohen
"It fills our hearts with the songs we love sung by a man who transforms the lyrics into a personal love song to us all."
Review: Souvenir
Uproarious “kamikaze cabaret” history of Brighton Theatre Royal told through song and amusing anecdotes.
Review: Wacht!
A Dutch museum attendant says nothing during a twenty minute performance - and it speaks volumes.
Review: Tina C’s President -C
Witty, wonderful and warming politics meets drag queen meets country singer...in a tent on an intersection.
Review: Whose Sari Now?
This is consummate storytelling, and Moorthy’s narrative variables attest to pitch and speed, a charactering that gifts all it can to the individual and in some cases real tales. There’s much here we cannot forget.
Review: Guerilla Aspies
This is an absolutely necessary and enagaging show about Aspergers we need to see back. The audience was packed, and exhilarated, Wady making contact with nearly everyone but in a creative and – yes – neutrotypical way.
Review: The Oldest Living Cater Waiter: My Life in Three Courses
Well crafted, brilliantly performed and utterly watchable!
Review: The Magnetic Diaries
An intelligent and challenging poetic narrative exploring modern day female depression.
Review: Guy Masterson : Love and Canine Integration
Poo, pooches and a pretty girl in a shaggy dog story with a difference.
Review: Clare Plested; Flock Up
A great hour in the company of weird, wonderful and very funny women.
Review: Jane Eyre: An Autobiography
"an incredible show which authentically reproduces the novel onto the stage."
Review: The Unknown Soldier
A solo play that will stay with you long after you have left the theatre
Review: Nick Paul: Impossible Feats of Fake Magic
Tricks you've seen before, done better than you've seen before.
Review: The End
Conor Lovett rivets with a naturalistic pitch in this cut-down stand-up Beckett diminuendo of an ex-inmate’s prospects. More tour de force in a tour de farce of Beckett’s genius.
