Review: As You Like It
A first-rate outdoor revival, and easily rivalling what the Globe have to offer.
Archives: Reviews 0
Reviews
Review: Suite in Three Keys
A once-in-a-generation masterpiece of revival. This is what we’ve been missing.
Review: Geneva Convention
As this gets quieter, it shouts more loudly. Exciting as this is, it will devastate when it finds its arc. This might ascend into something crucial.
Review: That Witch Helen
An absorbing retelling. Whatever Ridewood and Sibyl Theatre tackles next will be worth waiting for.
Review: Women’s Writes
We’ve been lucky to sit in on the first stage of a very promising conversation collaboration, and theatre piece.
Review: Richard III
In a female-led cast led by the eponymous Richard III (Michelle Terry) it’s striking that the trio of cursing women is this production’s highlight
Review: Materia
A strangely compelling oddity that plays with the possibilities of form to illuminating effect
Review: You’re Not Doing It Wrong If No-one Knows What You’re Doing
How families shape you - until you find your own particular shape
Review: The Trials of Magnus Coffinkey
Of the 115 (mostly London) shows I’ve seen this year so far, it ranks as the most profound, and one of the very finest.
Review: Cold Water
Still in her twenties but vastly experienced, it’s going to be exciting to see where Lawford breaks out to next.
Review: Macready! Dickens’ Theatrical Friend
Nineteenth century actor and impresario is brought to life by Mark Stratford
Review: Kontemporary Korea: A Double Bill of K:Dance
An enthralling and astonishing double bill of contemporary dance.
Review: The English Moor
Richard Brome’s 1637 The English Moor marks a new departure for Read Not Dead. You might say with this play it’s Read to be Dead.
Review: Sappho
A bit of theatrical democracy invoking pre-democracy crafts an exquisite irony for a rainy afternoon. Do see it.
Review: J’ai un Bleu
J’ai un Bleu manages to covey through movement what words simply cannot express. The objectification of the female form.
Review: The Melancholy of the Tourist
Paradise is found and lost in an intimate, visually compelling installation
Review: Kunstler
An outstanding production persuading us such a self-narrating show can enthral as well as inform. A hidden gem.
Review: Much Ado About Nothing
A triumph of tone, of textual intercourse and tight-reined spirits. Beatrice’s star is dancing. It’ll stay fresh as the feelgood Shakespeare this summer.
Review: Company RAus’s Dido
A multimedia portrayal of Dido's love and loss, in sound, light and solo dance
Review: Lived Fiction
Unique, spellbinding, groundbreaking; above all makes everyone more alive to the possibilities of being human.
Review: Captain Amazing
Simon Stephens commented “If I could get all your numbers I would ring you all up individually and urge you to see Captain Amazing.” That can’t be improved on. It’s a must-see.
Review: Six Characters In Search Of Pirandello
"There is someone in my life, and I know nothing about him" (Pirandello)
Review: Rock, Paper, Scissors
A joyous revival. Though working in TV production, Hayden’s writing is too good, too well-shaped not to develop in theatre instead.
Review: Nye
Through the choreographic sweep, Price crafts a necessary, traditional warning. It’s more than enough. A must-see with perhaps the finest last line since Good.
Review: St Nicholas Richard Bowen Guitar Recital
Recommended for languorous afternoons such as the burst of May outside.
Review: Twisted Tales
One mat, six players and bundles of talent in this dynamic ensemble. Bringing Total Theatre back!
Review: Steve Parry: The Last of the Famous International Amateurs
A man in the middle of a mid-life crisis
Review: I Hope Your Flowers Bloom
A gentile evening with a fantastic narrative about love from a male perspective.
Review: Dawn Again: A Rap Opera
Elliot has a problem: two girlfriends, both giving birth on the same day in the same hospital
Review: Little Women
There’s heartbreak and joy here. If you don’t know it, be surprised and moved at this hidden fringe gem, realised by this team in delicately-cut facets.
Review: Identity and Stories of the Self by Pittsburgh Playback Theatre
A beautiful display of the human experience
Review: Magpie
This really has no place in the Brighton Fringe. Perhaps the Festival. What is a slice of the darkest Sean O’Casey doing at a 9pm slot? Outstanding.
Review: Laughing Boy
Stephen Unwin directs his own play as a sweep of storytelling, laughter and devastation.
Review: Divine Ride…..or Wait?
An immersive, thrilling, and thoughtful experience that calls on the artist in all of us.
Review: Frozen
Frozen is far more than a thriller: it’s an interrogation into the limits of what evil-doing is, what redemption and some capacity to forgive might be, and its consequences: and above all it ends in a thaw cracking like a Russian spring.
Review: Na Peirsigh/The Persians
Aeschylus' humble brag of epic proportions that genuinely shows compassion to the losing party.
Review: Futuristic Folktales
A challenging and engaging theatrical piece of dancing irony – using the future to focus the past, through rebirthing itself.
Review: The Other Boleyn Girl
Mike Poulton’s text gleams and snaps. Lucy Bailey’s production of it thrills and occasionally overwhelms, dazzling in its maze of missteps. A must-see.
Review: The Pull of the Stars
World premiere of Emma Donoghue’s new play set in a maternity ward during the Spanish Flu pandemic in Dublin, directed by Louise Lowe.
Review: Experiment With an Air Pump
One of the stand-out NVT productions of recent years. A must-see.
Review: Boys on the Verge of Tears
It’s an exciting, fragile world Sam Grabiner’s promised us in the future.
Review: Testmatch
A superbly witty interrogation of identity, abuses many histories deep, asking questions it sets up in not too sober a fashion. Testmatch is a lightning-conductor.
Review: An Officer and a Gentleman
What brings this musical home is the drawing-together of threads that hang loose in Act One. And finally you believe in a story that doesn’t flinch from darkness and sings its distress. Thoroughly enjoyable.
Review: Machinal
This triumphant revival by Ustinov Studios and the Old Vic might finally encourage exploration. You must see this.
Review: Haudin the Jaikets
A celebrational read through of a drama based upon one night never to be forgotten in Scottish boxing history.
