Review: Across a Love Locked Bridge

A poignant recording of a journey from innocence through the discovery of love, arriving at the knowledge of love, after all what else is there?


Review: The Birds

Enthusiastic, melodramatic teenage version of a Greek classic which hits the mark. This is a faithful adaptation with a nice cultural twist. It is emblematic rather than naturalistic but enchants whilst it drives the story forward. The use of recognisable music helps keep us entertained whilst making additional comment upon the action and thus enhances the production.


Review: PENTHESILEA

A bold and sensual retelling of this dramatic story of Penthesilea, the Queen of the Amazons.


Review: Paper Swans

A superbly performed physical, surreal performance, rooted in the theatre of the absurd


Review: Corpse Flower

A beautiful nod to the expressionistic silent movie era, just with words and words that will enchant you!


Review: Jobsworth

A superb piece of new writing with a virtuoso solo performance


Review: Abrasion

If high school health class had been this entertaining, I would have paid far more attention.


Review: The Kate Bush Story

Hannah Richards brings emotion while exuding humility, embodying the essence of Kate Bush


Review: Projection

"an hour of beautiful solo writing, brashly, boldly and skilfully delivered"


Review: Fan/Girl

This is an entertaining and upbeat evocative show that is very well written and performed.


Review: Two Mums

Witty, insightful and polished – with a human story at the centre


Review: Same Team

A hugely uplifting, powerful and touching tale


Review: Every Brilliant Thing

The dichotomy of innocence and suicide is fascinating, dealth with much nuance, without falling into cliches or stereotypes.


Review: The Last Beginning

A group of students fight their way to their new existential world! Expect physical theatre, lightsabers, silk acrobatics and a giant buckyball!


Review: Faking It

"A delightful physical storytelling piece by a naturally funny performer."


Review: So Young

Every aspect of this production is outstanding


Review: STUMPED

"makes us sit up and listen"


Review: Tiny Little Town

A thrilling and triumphant musical return to the Fringe from Theatre Movement Bazaar


Review: Sushi Tap 2024

Mixing tap dance with clowning, juggling and crowd work, this is a fun show for all ages


Review: Ascension

A poignant show, highly recommended.


Review: Forked

A thought-provoking, captivating, and emotionally layered exploration of culture, laced with laughter and skilled caricature.


Review: Julieta

Masterful physical acting and clowning!


Review: The Years

This production reminds us it’s often the least theatrical, least tractable works that break boundaries, glow with an authority that changes the order of things.


Review: The Grapes of Wrath

Absorbing and essential, Grapes of Wrath is here as complete as you could wish.


Review: Gloria’s Gift

In a world where we're all so connected, how can we be more disconnected than we've ever been?


Review: Bullied

A coming-of-age meets being-of-age drama


Review: The Promise

Clare Burt’s Wilkinson, racking asthmatically across the play, is indelible, crowning the evening in an arc of sacrifice, Essential theatre-going, an education.


Review: A Tapestry of Life

Iconic songs and touching poetry in the hands of a highly talented singer


Review: After Sex

Deservedly hugely popular. With uber-smart dialogue, Dromgoole ensures that under the brittle wrap, there’s an ache and overriding desire for connection.


Review: Brooklyn Magician

A fast-paced, funny and skillful young magician enthralls his audience from start to finale


Review: Hellcats

A bold, brash historical dive into witch trials and the cruel treatment of women


Review: Sonder

Inventive, touching and tender verbatm theatre


Review: Oliver!

There’s not a moment in this two-hours-40 where you’re not at the edge of your seat. The best musical revival this year. Don’t wait till it transfers to the West End.


Review: Abundance

A daring, unique and importany inter-generational physical theatre piece


Review: ARRIVED

Impromptu, improving, impressive, street theatre with a subtle message told with exceptionally creative skill.


Review: Surge Festival

An explosion of culture, creativity and street artistry that shows the best of what we have to offer in the outdoors.


Review: The Hot Wing King

Hall, following Nottage in particular, emerges as one of the most exciting US dramatists.


Review: Villa

An ambitious and brilliant exploration


Review: Forest

A fantastic and challengingly creative expose of how we engage with our climate.


Review: ECHO

Ultimately, the most telling line ”We are all immigrants across time” defines what remains an extraordinary experience


Review: The IT

A truly worthwhile production


Review: Your Lie In April

This is surely a breakthrough musical on perennial themes. The discovery is not-yet-graduated Mia Kobayashi who proves overnight stars are still being made.


Review: Bindweed

Laura Hanna is outstanding in a play that ought to establish itself and playwright Martha Loader; and should enjoy a much longer run.


Review: All’s Well That Ends Well

Don’t go expecting searing insights, but do go for a crack ensemble who will surely turn many to Shakespeare. An endearing and uplifting enterprise.


Review: Alma Mater

Kendall Feaver’s very integrity might not satisfy those who enjoy outcomes dispelled in light. But that’s the point.


Review: Mnemonic

Mnemonic is treasurable, eloquent, a rare passport. It remembers what hope, connectedness and peace smelt like. It’s worth remembering that.


Review: The Constituent

This extremely fine play is even more prescient than Penhall and Warchus intended, with an earlier election. The Constituent though, will survive it till August.


Review: Surrender

The writing will snare you, Phoebe Ladenburg will hold you, and you’ll lean over the fourth wall.


Review: Crown of Straw

A hint, a soupcon, a mint, from a rehearsed reading o muckle glister tae follae.


Review: Some Demon

A superbly uncomfortable edge-of-seat revelation. Groundbreaking, it’s also definitive on something we often see far too dimly.


Review: The Beckett Trilogy

It’s reading Beckett in flashes of lightning and laughter. Conor Lovett stuns in this cut-down stand-up Beckett-novels-for-beginners-and-enders three-hour whistlestop. A tour de force as well as a tour de farce of Beckett’s genius.


Review: Constellations

This superb revival suggests Constellations will certainly travel for a long time.


Review: The Bounds

As it stands, this is a play with greatness seeded in it.


Review: The Caretaker

Three remarkable performances edge The Caretaker to new ground. Justin Audibert’s directorial debut at Chichester proves both thrilling and prescient.


Review: Kafka

It’s Klaff’s improvisatory edge, founded on absolute technique and clear-headed text, that finds an exit where none was signposted. Magnificent.


Review: The Kite Runner

Spellbindingly translated to the stage and here with more power even than before. Don’t miss it.