Review: Super Mama

Lithuanian comedian makes her debut at the fringe with a story about almost forgetting yourself after becoming a mum.


Review: INERTIA

Epic Youth Circus - jammed packed talent for all the family to enjoy!


Review: The Midnight Bell

An outstanding ballet by any standards. One that like its inspiration Patrick Hamilton will last.


Review: Short Plays 2025

Enough here to engage and make anyone who’s not yet ventured to NVT to keep coming back. Do see this collation of crazies.


Review: UnTethered

UnTethered could be outstanding and groundbreaking. What Tara Sirois does next could, and should, unnerve everyone; including herself.


Review: Extraordinary Women

For a bijou summer in a bottle, this can’t be beaten. Exquisite, painfully funny, and hinting at the depths Mackenzie found to his own chagrin. A gem.


Review: Untamed

"a vivid and satisfying retelling of a story that remains relevant and powerful."


Review: The Rubbish Puppets!

Trash Transformed! Getting out of bed can be uneventful but not for this teenager - prepare to see trash become treasure...Introducing 'The Rubbish Puppets.'


Review: Top Hat

The most joyous musical of the summer. And it has a summer heart that never cloys. A sizzling must-see.


Review: La Femme des Sables

A dance piece investigating how pain becomes a catalyst for spiritual enlightenment


Review: Push and Pull

An extraordinary performance exploring the push and pull dynamic of a relationship touching deep emotional strings


Review: Formosa Viva

A catchy dance theatre performance displaying Taiwan's historical heritage through movement and dance


Review: À Fleur de Mots

A poetic performance that brings to life the immaterial essence of our soul


Review: Chiara Atik Poor Clare

Sassy yet profound, probing yet exuberant, it asks all of us: No, don’t look at me. Look at you. A quiet must-see this summer.


Review: The Merry Wives of Windsor

Sean Holmes has conjured the most intelligently re-thought Merry Wives of recent years with a convincing take on Mistress Ford. The last few gestures in this show change everything that might follow.


Review: Amour Utopique

A solo clown circus show with the potential to grow into something more refined and impactful


Review: Blanc de Blanc

A poetic solo mime performance rich in visual symbolism, drawing us into the depths of an artist’s unconscious.


Review: Chez Lui

A superb solo mime and clown show taking the audience into the intimate and mad world of its protagonist


Review: James Inverne That Bastard, Puccini!

With such a script, cast and production values, this is a sure-fire hit, a gem deserving of longer runs too. Don’t let this be a one-run wonder!


Review: Tim Price Nye

Through choreographic sweep, Tim Price crafts a necessary, traditional warning. A must-see with the finest last line since Good.


Review: Girl from the North Country

Girl from the North Country freights a world in a steam whistle. The sheer punch of talent doesn’t come much greater than this.


Review: Ghost Stories

Pure scary, not horror. There’s reasons Ghost Stories is on its second tour out of the West End. Here’s a convenient (and reasonable) way to see why.


Review: 4.48 Psychosis

Sold out at the Court (you might queue for returns), but worth any pilgrimage to Stratford for.


Review: This is a Gift

Reimagining the Midas myth from the perspective of his daughter.


Review: Claire Dowie See Primark and Die Finborough

There’s more than a touch of Ken (even more, Daisy) Campbell about the way Dowie structures her circular storytelling. Here it’s at its most consummate, most artful and repays re-reading to catch Dowie at your throat.


Review: Sheridan The Rivals

This company re-thinks Sheridan in his spirit: clear and steady as lead-crystal struck through with sun. The inventiveness of filleting the text to guy the fact of a five-strong cast is part of their distinction. It’s a must-see.


Review: Cruel Intentions

If ever you’ve been crossed in love, double-crossed yourself, or just crossing through, then this is for you. It’s June’s sizzle, all the way to Six, this September.


Review: Sarah Ruhl Eurydice

Sam Chittenden coaxes provisional miracles from her cast and space. The medium’s playful, even fun. The message though is bleak; and love is still in the letting go.


Review: Euripides Medea

This Medea deserves its fame. A must-see, though nearly sold-out.


Review: Percolate

Fresh coffee and the creative process explored


Review: Romiet

"a chaotic comedy with a beating heart and something important to say"


Review: CatGPT

"one of the strangest and most original shows at the Fringe."


Review: Charlie Josephine: I, Joan

Daisy Miles, supremely, Laurits Hiroshi Bjerrum and Rhys Bloy excel in a fine cast and prove this clarion of a play can rise again triumphantly.


Review: In Praise of Love

There’s every reason to see this rare gem, now added permanently to Rattigan’s finer plays.


Review: Locusts

A sensitive, spellbinding portrayal of a man's dilemma when his past comes back to haunt him.


Review: The Leonora Banquet

Saddle up for an evocative ride through Leonora Carrington's dreamworld


Review: Sophocles Electra

The end is set. Conor Baum directs that ratcheting-up inexorably: never hurried, never static. The audience holds its breath. So will you. Outstanding.


Review: Duty

A fresh and urgent play, Duty should tour as a salutary reminder of how war impacts community, divides war-influenced majority from the few who see through war.


Review: Ibsen Ghosts

A triumph of staging, fine acting and in Sarah Tansey a central performance to rival any Helene Alving I’ve seen.


Review: The Magic Lady

An action-packed, hugely entertaining hour in the company of a disillusioned illusionist.