Genre: Adaptation 0
Review: 15 Heroines: 15 Monologues Adapted from Ovid
Groundbreaking. The smallest producing theatre in the West End through lockdown has become the largest.
Review: Frankenstein
Imaginative, Exquisitely Haunting and Moving - Visual Storytelling at its best!
Review: Love Love Love
Epic eavesdropping casts that ultimate spell: reading ourselves by flashes of lightning.
Review: Beauty and the Beast
Nothing so convincing has been done with this legend. It deserves many revivals.
Review: Frankenstein (alternate version)
The acting scales cliff-edges of unreason. One remembers the scale of betrayal and loss of redemption. Benedict Cumberbatch here is Frankenstein, Jonny Lee Miller the Creature. The alternate version aired first is still available.
Review: A Separate Peace
Stoppard looks at society’s phantom limb ethic. Even when it’s gone it aches, and it aches to have someone opting out.
Review: Frankenstein
The acting scales cliff-edges of unreason. One remembers the scale of betrayal and loss of redemption
Review: Treasure Island
First-rate theatre. In Joshua James’ Ben Gunn and above all Pasy Ferran’s Jim, we see stars rising quicker than Arthur Darvill’s superb Silver can point them out.
Review: Joseph And The Amazing Technicolor Dreamcoat
A salutary reminder of how a great musical talent and collaboration started
Review: Three Sisters
This spectacular production beats with a fervour and purpose few adaptations achieve. Ellams has made Three Sisters new.
Review: Priscilla, Queen of the Desert
The three lead actors, divas and a superb cast give this production its beating pink heart.
Review: Hunger
An exemplary, scrupulous production so starkly contemporary, it makes Hunger contemporary forever
Review: #We Are Arrested
Peter Hamilton Dyer carries this celebration of the conscience to be fully human
Review: My Brilliant Friend Parts One and Two
Cusack and McCormack give the performances of their lives
Review: The Lady Vanishes
A first-class production. Crisply paced, beautifully detailed, this ensemble is flawless, the finest Bill Kenwright’s team have produced
Review: Frankenstein
There’s a clean sharp fusion between these two writers that heralds something special.
Review: Chitty Chitty Bang Bang
It couldn’t be done any better and puts several touring shows to shame.
Review: I’ll take you to Mrs Cole
A wonderful family show, adapted from the book of the same name, and I guarantee you will be singing the theme song under your breath for days.
Review: The Mill on the Floss
Stunning. This consummate, flawless production is an event for BLT and Brighton
Review: The War of the Worlds
Creative, provocative original play with surprise twists, superb physical theatre!
Review: The Dismissal of the Greek Envoys and The Laments
In nearly every way an outstanding pair of productions.
Review: The Flies
There’s nothing like the Exchange’s approach: their bi-lingual virtuosity burns questions.
Review: Little Miss Sunshine
It’s a quiet heartbreaker, with stoicism and love the only answers. Do see it.
Review: Return to the Forbidden Planet
It’s a must-see. Whatever warp factors you have to go through.
Review: The Milkman’s On His Way
As a storytelling adaptation it couldn’t be bettered. Necessary and uplifting.
Review: Berberian Sound Studio
Thoroughly absorbing, full of walking shadows who throw vivid questions.
Review: The Tell-Tale Heart
As an electric shock to schlock gothic, theatre doesn’t come much better than this.
Review: Grimm’s Tales
An exuberant Christmas production, and a miracle of compression, blocking, set-design and ensemble acting skills.
Review: Madagascar The Musical
Highly Recommended for monkeys and lemurs of all ages – quite apart from lions, zebras, hippos and giraffes.
Review: Great Expectations
An excitingly-conceived adaptation of a familiar story. Ahead lies some astonishment.
Review: Private Peaceful
This is as good as a one-person show of this kind gets. Andy Daniel should be up there above his own rows of five-star ratings.
Review: Dirty Dancing
There’s a fitting heart-warming climax to a dream of production. And a surprise to those who think they know the film.
Review: The Outsider
Like so much from The Print Room, this feels like European theatre. And we need it more desperately than ever.
Review: The Graduate
There’s so many reasons to see this production. It’s worth hanging around for returns.

























