Review: The Beckett Trilogy
Conor Lovett stuns in this cut-down stand-up Beckett-novels-for-beginners-and-enders three-hour whistlestop. A tour de force as well as a tour de farce of Beckett’s genius.
Review: The Beckett Trilogy
Conor Lovett stuns in this cut-down stand-up Beckett-novels-for-beginners-and-enders three-hour whistlestop. A tour de force as well as a tour de farce of Beckett’s genius.
Review: The Bald Prima Donna
Spirited pacey revival of Ionesco’s first play, with one stand-out performance and superbly idiomatic one. A perfect introduction to the playwright.
Review: Boy
A superbly bleached-out vision of a seventeen-year-old’s prospects on a stunning conveyer-belt set. Not a comfortable but necessary seventy minutes.
Review: A Dirty Get-Away!
Brilliantly silly and profound meditation on the nature of memory loss as innocence
Review: Persona
Clean focused reading by Bexelei Theatre's young talent of Jon Barton's new play on trolling
Review: An Enemy of the People
Howard Davies directs a fine cast led by Hugh Bonneville in Chichester's generously human revival of the ultimate whistleblowing drama
Review: Can I Start Again Please
A still and thoughtful piece tackling the most challenging of subjects
Review: Sex, Strokes, Death, Denial
Jack Duffel's new play mixes extreme naturalism with verse in a play creatively probing death and displacement in the family
Review: Thorn
Tremendously energised one-man play about an Australian minister's son on a mission, but which one?
Review: Airswimming
Superb revival of Charlotte Jones’s play abut two women incarcerated for fifty years for bring different.
Review: Broken Glass
Superb revival of Miller's late classic. Jerry Lyne's production is one of NVT's finest.
Review: Groomed
Patrick Sandford's groundbreaking play, acted by himself, of his own childhood abuse, acted alongside a sax player...
Review: Distortion
Disquieting premiere about sexual abuse torturing the memories of a child, her adult self, and her abuser
Review: Glengarry Glenn Ross
Riveting must-see revival of Mamet's breakthrough play at the Rialto directed by Roger Kay
Review: The Caretaker
Timothy Spall leads a strong cast in this magisterial, beautifully-orchestrated revival of Pinter's breakthrough play.
Review: Cyprus Avenue
Devastating drama about the DNA of bigotry; and it all starts in surreal farce
Review: King Lear
Michael Pennington triumphs in his tragedy in this superbly clear King Lear directed by Max Webster. Gavin Fowler’s Edgar rises with him.
Review: Ma Rainey’s Black Bottom
Dominic Cooke's revival of August Wilson's breakthrough play shows what we've been missing: a master American dramatist. Sharon D Clarke presides as Mother of the Blues
Review: X
Vicky Featherstone brings a little science friction to McDowall's science fantasy world, as he moves from his familiar lair
Review: The Maids
A sister-blister ferocity stalks this tautly oppressive – and political - Jamie Lloyd revival of Genet’s breakthrough play. Uza Aduba excels in a strong cast.
Review: The Father
Florian Zeller's masterpiece now touring with ATG, with Kenneth Cranham giving the performance of his career so far
Review: Cleansed
Stunning if interventionist revival of Sarah Kane's astonishing 1998 play directed by Katie Mitchell, with a towing performance from Michelle Terry
Review: International Waters
An intriguing evening of disaster, mayhem and murder in a cocktail frock
Review: The Silent Treatment
Scotland's leading integrated theatre company deliver an evening you should not keep quiet about
Review: Humming
Youth Theatre commentary on the essentials of life, the universe and an apprenticeships in painting and decorating.
Review: Cock
An exploration of sexuality within the 21st century confines of unconfined and ill defined relationships.
Review: How You Gonna Live Your Dash?
How are you going to spend your life, in 70 minutes of event that might change your mind.
Review: We Always Knew This Day Was Coming
One man’s journey from fireman to girlfriend to boyfriend as told in 1 minute episodes
Review: Hector
An enthralling little known tragic Victorian tale told sympathetically in a polished performance.
Review: The Gospel According to Jesus, Queen of Heaven
An alternative Jesus preaching love and forgiveness
Review: Touch
An intimate piece of theatre addressing questions of self worth and the possibility of true human connection.
Review: Miss Sarah
An hour of tense and absorbing drama focusing on the unseen victims of missing person cases.
Review: The Gods Are Fallen and All Safety Gone
A gentle, poignant mediation on mother-daughter relationships
Review: Adam Riches is Coach Coach
A brilliant romp on the American sporting Dream of winning at all costs
Review: A Fine Line
Previous Fringe First Award winner Ronnie Dorsey brings a wonderful story of love, family, intimacy and loss which is beautifully performed by Judith Paris.
Review: How You Kiss Me Is Not How I Like To Be Kissed
How You Kiss Me Is Not How I Like To Be Kissed
Review: A Girl is a Half-Formed Thing by Eimear McBride
" wonderful words, masterfully adapted, brilliantly brought to life"
Review: The Solid Life of Sugar Water
A sensitive, beautiful portrayal of loss and communication breakdown
Review: Wendy Hoose
An evening of sex that has surprises for all the participants, especially those wanting sex
Review: The Cupboard
Weird and fanciful fairy tale that smells a rat from the very beginning and ends up discarded in the wrong cupboard