Review: Living Newspaper #6
Like all the Royal Court’s Living Newspaper series, we need this. Watch what this does with the future
Review: Living Newspaper #6
Like all the Royal Court’s Living Newspaper series, we need this. Watch what this does with the future
Review: Living Newspaper #5
Like all the Royal Court’s Living Newspaper series, we need this. Watch.
Review: Outside
As with Inside, Outside not only fits us, they help us to move on, and become in their modest, unassuming and utterly transcendent way, part of how we learn to.
Review: New Moon Monologues April
As we saw in March, don’t be lulled by friendly colours and fluffy fonts. Queens of Cups again proves they’re a company to revel with and wait for heart-stopping reveals
Review: Icarus
After all the gods and their lack of choice, we come to the final instalment, the human dimension. Where we have one. A heartfelt, satisfying finish.
Review: Orpheus
A terrific reinvention, bringing gods and heroines up from the death of myth to an altered world.
Review: Living Newspaper #3 Royal Court Theatre
Hot off Sloane Square a team of writers, actors and creatives twist the news to truth
Review: New Moon Monologues March
Don’t be lulled by the friendly colours and fluffy fonts. Queen of Cups is absolutely a company to watch, and its showcase productions are literally unmissable
Review: Hymn
Its potency lies in a fine peeling apart by Adrian Lester and Danny Sapini, and the language that bridges it.
Review: The White Hart
Winner of an OnComm award from Off West End, another Upton triumph by stealth
Review: Nine Lessons and Carols
The Almeida’s another country. They do shows differently there. A bold communing of theatre stories with the fresh poignancy of what’s happened during 2020
Review: Death of England: Delroy
Renders huge black experience into a narrative that bears it, because so well-constructed, so character-driven and so inhabited by Michael Balogun whose blaze of awakening is both benediction and clarion.
Review: 15 Heroines: 15 Monologues Adapted from Ovid
Groundbreaking. The smallest producing theatre in the West End through lockdown has become the largest.
Review: The New Tomorrow
There’s a generosity here, a big hug. Theatre itself affirms the value of life to those who might yet shape it for the better.
Review: A Coward Coupling
Family Album is possibly the most disastrous production this already unfortunate play has ever sustained. More, Coward would declare it’s a travesty; of genius. Hands Across the Sea is pitch-perfect in a slightly outré version of what Coward meant.
Review: Shoe Lady
Katherine Parkinson inhabits that breaking through the office crust asphyxiating us
Review: Waiting for Hamlet
A delight for the ears as two haunting characters of Shakespeare’s Hamlet explore things Kingly before one makes his final, and first entrance.
Review: Barber Shop Chronicles
Barber Shop Chronicles is a breath-taking revelation for those of us who had small inkling of a world in miniature.
Review: A Separate Peace
Stoppard looks at society’s phantom limb ethic. Even when it’s gone it aches, and it aches to have someone opting out.
Review: I and You
Will leave you in a heap and wonder what else Lauren Gunderson has written that comes near this.
Review: Afterplay
Miraculously-attuned. A wafer-thin but absolutely genuine slice of Chekhov. Do see it.
Review: Shoe Lady
Katherine Parkinson inhabits that breaking through the office crust asphyxiating us
Review: Lipstick
Performances and play that should turn us upside down. Do make a detour for this brave. tremulously beautiful coming of love.
Review: Far Away
Our greatest playwright since Beckett and Pinter. An outstanding revival. Hesitating?
Review: The Dog Walker
I want to know what life, not just Paul Minx will do with his characters afterwards. So will you.
Review: The Good Dad (A Love Story)
Intricate, fiercely intelligent, this play packs far more force than some twice its length. Sarah Lawrie’s intensity is magnificent.
Review: Death of England
This work never loses its charge, its own rapturous arrival Spall gives the performance of his career so far.
Review: Scenes with girls
Scenes with girls owns a buzz, a life, a difference about loving that gives it a sliver of unique.
Review: Swive
A Hilliard rather than Holbein, it’s the velocity of Elizabeth’s survival that enthrals
Review: Hunger
An exemplary, scrupulous production so starkly contemporary, it makes Hunger contemporary forever
Review: #We Are Arrested
Peter Hamilton Dyer carries this celebration of the conscience to be fully human
Review: Three Shorts – Fruit / When I Call Your Name / Embracing Nature
An assured showcase of shorts
Review: Glass. Kill. Bluebeard. Imp.
For a time you feel that beyond Churchill’s world, nothing else quite seems to exist.
Review: Fleabag
Original, raw, brilliantly funny and devastating. This production is Fleabag neat. Its harrowing streak of genius burns like a healing scar torn.
Review: Total Immediate Collective Imminent Terrestrial Salvation
The most consistently satisfying work of Tim Crouch I’ve seen.
Review: Pilgrims
Elinor Cook’s always worth a diversion for. This drama deserves friends and revivals.
Review: Sadness and Joy in the Life of Giraffes
Rodrigues is a dramatist we need to see far more of.
Review: The Dismissal of the Greek Envoys and The Laments
In nearly every way an outstanding pair of productions.