Review: Living Newspaper #6

Like all the Royal Court’s Living Newspaper series, we need this. Watch what this does with the future


Review: Living Newspaper #5

Like all the Royal Court’s Living Newspaper series, we need this. Watch.


Review: Outside

As with Inside, Outside not only fits us, they help us to move on, and become in their modest, unassuming and utterly transcendent way, part of how we learn to.


Review: New Moon Monologues April

As we saw in March, don’t be lulled by friendly colours and fluffy fonts. Queens of Cups again proves they’re a company to revel with and wait for heart-stopping reveals


Review: Icarus

After all the gods and their lack of choice, we come to the final instalment, the human dimension. Where we have one. A heartfelt, satisfying finish.


Review: Aphrodite

Dazzling: wise, clever twists about choice, male determination, and consequence.


Review: Pygmalion

The most profound reinvention of this particular myth I’ve seen


Review: Orpheus

A terrific reinvention, bringing gods and heroines up from the death of myth to an altered world.


Review: Persephone

Dazzling: wise, clever twists about choice, male determination, and consequence.


Review: Inside

They’re live. And Orange Tree. Catch them.


Review: New Moon Monologues March

Don’t be lulled by the friendly colours and fluffy fonts. Queen of Cups is absolutely a company to watch, and its showcase productions are literally unmissable


Review: Adventurous

A play gently subverting all expectations. Feeling Adventurous? You should.


Review: Plays for Today

A truly absorbing series. And free to stream on Soundcloud.


Review: Hymn

Its potency lies in a fine peeling apart by Adrian Lester and Danny Sapini, and the language that bridges it.


Review: Shook

If you’ve an appetite for exceptional new writing, just see it.


Review: Public Domain

At 65 minutes it’s worth anyone’s time and emphatically money.


Review: The White Hart

Winner of an OnComm award from Off West End, another Upton triumph by stealth


Review: Nine Lessons and Carols

The Almeida’s another country. They do shows differently there. A bold communing of theatre stories with the fresh poignancy of what’s happened during 2020


Review: Death of England: Delroy

Renders huge black experience into a narrative that bears it, because so well-constructed, so character-driven and so inhabited by Michael Balogun whose blaze of awakening is both benediction and clarion.


Review: The New Tomorrow

There’s a generosity here, a big hug. Theatre itself affirms the value of life to those who might yet shape it for the better.


Review: Crave

One of the most important productions since lockdown.


Review: A Coward Coupling

Family Album is possibly the most disastrous production this already unfortunate play has ever sustained. More, Coward would declare it’s a travesty; of genius. Hands Across the Sea is pitch-perfect in a slightly outré version of what Coward meant.


Review: Inside This Box

Showcases future names and above all is defiant with hope and agency


Review: Shoe Lady

Katherine Parkinson inhabits that breaking through the office crust asphyxiating us


Review: Waiting for Hamlet

A delight for the ears as two haunting characters of Shakespeare’s Hamlet explore things Kingly before one makes his final, and first entrance.


Review: The Skin Game

Treat this as a wonderful premiere you’ve not had to stir for.


Review: Barber Shop Chronicles

Barber Shop Chronicles is a breath-taking revelation for those of us who had small inkling of a world in miniature.


Review: A Separate Peace

Stoppard looks at society’s phantom limb ethic. Even when it’s gone it aches, and it aches to have someone opting out.


Review: Cyprus Avenue

Devastating drama about the DNA of bigotry played as surreal farce.


Review: Amsterdam

Did I say sucker-punch? It’s what the Orange Tree do every time.


Review: Wild

Theatrically the most thrilling end to any Bartlett play


Review: I and You

Will leave you in a heap and wonder what else Lauren Gunderson has written that comes near this.


Review: Afterplay

Miraculously-attuned. A wafer-thin but absolutely genuine slice of Chekhov. Do see it.


Review: Shoe Lady

Katherine Parkinson inhabits that breaking through the office crust asphyxiating us


Review: Lipstick

Performances and play that should turn us upside down. Do make a detour for this brave. tremulously beautiful coming of love.


Review: Nora

Stef Smith’s brilliant riff on Ibsen’s original is revelatory


Review: The Tin Drum

Nico Holonics’ blaze-through avatar is unlikely to be surpassed.


Review: Far Away

Our greatest playwright since Beckett and Pinter. An outstanding revival. Hesitating?


Review: The Dog Walker

I want to know what life, not just Paul Minx will do with his characters afterwards. So will you.


Review: The Good Dad (A Love Story)

Intricate, fiercely intelligent, this play packs far more force than some twice its length. Sarah Lawrie’s intensity is magnificent.


Review: Death of England

This work never loses its charge, its own rapturous arrival Spall gives the performance of his career so far.


Review: all of it

A miniature classic of snatched meaning. Catch it.


Review: Ghost Stories

Don’t waste your ticket. Stay to the end if you dare.


Review: Scenes with girls

Scenes with girls owns a buzz, a life, a difference about loving that gives it a sliver of unique.


Review: Teenage Dick

Ambition treads on teenage dreams and their devastation.


Review: Swive

A Hilliard rather than Holbein, it’s the velocity of Elizabeth’s survival that enthrals


Review: A Kind of People

Bhatti nails truth to the doors of injustice. It’s well we heeded it.


Review: Hunger

An exemplary, scrupulous production so starkly contemporary, it makes Hunger contemporary forever


Review: #We Are Arrested

Peter Hamilton Dyer carries this celebration of the conscience to be fully human


Review: {BLANK}

Compelling and bleakly miraculous


Review: Shook

If you’ve an appetite for exceptional new writing, just see it.


Review: Hansard

A masterfully conceived vehicle to stalk politics now


Review: Shadows

Speaks with a fierce innocence


Review: 4.48 Psychosis

Do see this bold, beautiful attempt on Kane’s masterpiece


Review: Blood Wedding

In several ways, this is about as good as it gets.


Review: Amsterdam

Did I say sucker-punch? It’s what the Orange Tree do every time.


Review: Fleabag

Original, raw, brilliantly funny and devastating. This production is Fleabag neat. Its harrowing streak of genius burns like a healing scar torn.


Review: Pilgrims

Elinor Cook’s always worth a diversion for. This drama deserves friends and revivals.


Review: The Wasp

This is more than a first-rate revival. It’s outstanding. See it.