Review: One Woman Alien

I can predict that by the end of its run, this should be the most outstanding one-person show you’ll see in the last week.


Review: Pigspurt’s Daughter

Guardian obituary, 2008. ‘Ken Campbell was one of the most original and unclassifiable talents in British theatre of the past half-century.’ It just happens that his daughter Daisy is both that and far more. She’s one of the most cunning crafters of comedy and storytelling in the anti-business


Review: The Jurassic Parks

A masterclass in storytelling using physical theatre, puppetry, song and dance, and audience interaction


Review: Metamorphosis

If you decide on one storytelling piece of theatre in this half of the Fringe, I doubt you’ll do better than experience this.


Review: No Oddjob

Nothing Odd About This Fine Job


Review: Maria

Scott has a finely-grounded tone with an acuity of insight and a lyrically-charged gift that literally pictures the un-nameable pearl-grey blanket of depression occluding Maria’s living.


Review: The World of Yesterday

Stefan Zweig lends himself peculiarly to a theatrical dimension. It’s over in a blink. If you’re at all near, you won’t regret the Print Room’s opalescent sliver of magic conjuring the best out of this production.


Review: Minefield

Minefield is for its unique and singularly consummate exploration of its themes, outstanding, in a class apart from any show you’ll see, perhaps even of Arias. Her work must be acknowledged here now.


Review: Dandy Darkly’s Myth Mouth

Wickedly mischievous, creative, joyous, boisterous, lyrical, brash, poetic, funny and entertaining show!


Review: Replay

Absorbing and masterful storytelling; a poignant coming to terms with loss


Review: The Majority

If Rob Drummond’s /Bullet Catch/ charmed and alarmed at NT’s The Shed and Brighton Festival in 2013, here Drummond starts his odyssey of political immersion in a prison cell; for throwing a punch at a neo-Nazi. Opening three days after the Charlottesville murder, the timing’s eerily prescient and more charged than even Drummond might have imagined.


Review: Model Organisms

Donkin’s artistry as writer isn’t in doubt, and Newton-Mountney’s performance is compelling. This is eminently worth seeing especially if you like dystopian narratives of the possible near-present. The story’s complete, but this journey’s just begun.


Review: Babette’s Feast

Maxwell’s script of Babette's Feast helps conjure Buckhurst’s cast into conjurers. They’re both dream-inducing and hyper-alert, their timing and balletic movements spellbinding and unforgettable. It’s one of the finest recent productions from a theatre raising the most consistent magic in London.


Review: Christopher Nibble.

"The Guinea pigs of Dandeville are munching the poor over-stretched dandelion population out of existence and heading for eco-disaster!!


Review: Raising Lazarus

A thought provoking and original show that is both funny and hard hitting


Review: Out of Blixen

Everything in Out of Blixen is realized with a magical economy. Kathryn Hunter’s s in her fluid element here, morphing into twelve-year-old girls and seasoned dowagers to her own directed paces The Europhilic Print Room has transformed the Coronet’s circular space into a consistent vision of theatre.


Review: Majestree

A childlike tale of simplicity told with complex physicality and charm


Review: Seeing Stars

Here’s Tycho Brahe to lead us by his gold nose. You can never start star-gazing too young; this Rust and Stardust production is a dazzling place to start. Enchanting, informative and exhilarating in equal measure; Conlon and Sommers’ singing sets a magical seal on this star-breaking look at the universe.


Review: Motherhood:(Un)speakable, (Un)spoken

Ninety seconds into this newly-revised one-woman play, Joanna Rosenfeld - emerging in a poke of fingers from a cagoule of brown paper - over-voices herself giving witness to tens of verbatim experiences we hear. This tells us the baby’s a parasite, sucks all your nutrients, calcium from your teeth for instance, causes injury, often permanent, can kill. This is - literally - epic interior theatre.


Review: Whose Sari Now?

This is consummate storytelling, and Moorthy’s narrative variables attest to pitch and speed, a charactering that gifts all it can to the individual and in some cases real tales. There’s much here we cannot forget.


Review: Motherhood: (Un)speakable, (Un)spoken

Moments into this one-woman play, Joanna Rosenfeld - emerging in a poke of fingers from a cagoule of brown paper - over-voices herself giving witness to tens of verbatim experiences we hear. This tells us the baby’s a parasite, sucks all your nutrients, calcium from your teeth for instance, causes injury, often permanent, can kill. This is - literally - epic interior theatre.


Review: Free Admission

A confessional show, made possible by the building of a wall


Review: Gratiano

Il Duce meets the Merchant of Venice in a literary mash up that works well


Review: Evil

Evil "personified" onstage shows us who the real monsters are


Review: Yoke’s Night

An evening of drugs, mayhem and macabre dealings where all is more than what it seems.


Review: Team Viking

"A while ago my best friend Tom died of heart cancer. His last wish was for me to give him a Viking Funeral. So I did."


Review: Pianomorphosis

More enchanting storytelling from this rising star on the Scottish music scene.


Review: E15

In-your-face exposé of the E15 housing scandal.


Review: Leaf by Niggle

Exquisite show. Masterful Storytelling of Tolkien's story !


Review: Pinocchio

Join Bard & Troubadour on a truly magical journary for all ages, as Pinocchio faces scoundrels, set-backs and sea monsters on his quest to become a real boy, in this loving recreation of the classic Italian fairy tale.


Review: First Love

Conor Lovett lightens his pitch Becket’s exploration of lust, sexual disgust and the intolerable consequences of generation.


Review: The End

Conor Lovett rivets with a naturalistic pitch in this cut-down stand-up Beckett diminuendo of an ex-inmate’s prospects. More tour de force in a tour de farce of Beckett’s genius.


Review: Hercules

"the entirely imaginary visuals he creates are amazing."


Review: The Big Stiffy

Absurd and off-the-wall, this surreal funeral party is a bizarre experiment that really does pay off


Review: Hip

Hip is a must see show. A Brighton-spirited séance with tequila, nibbles, tenderness and laughter.


Review: Groomed

Patrick Sandford's groundbreaking play, acted by himself, of his own childhood abuse, acted alongside a sax player...


Review: Oh, Hello!

Poignant reminder of a fallen comedic actor.


Review: Show Your Hope

Fascinating, charming storytelling about travels and art


Review: Beowulf

A creative, imaginative retelling of Beowulf in puppet form.


Review: Clairvoyant

An outstanding piece of work for theatre goers of every kind.