Review: The Tempest

Orlando Gough’s music stamps this production, and makes the pulleys of reinvention sing despite themselves. For that and the sweep of decolonised languages, a must-see.


Review: The Playboy of the Western World

An impossible balance, but having seen Playboy at farce-speed, it’s good to weigh in with a loquacious backbeat of despair. Wholly absorbing.


Review: The Rivals

As polished a Sheridan gem as I’ve ever seen.


Review: Alice in Wonderland

This 23-strong cast triumph in this cavalcade of Carroll. A must-see and pretty outstanding.


Review: Little Miss Christmas

Little Miss Christmas can develop and this show doesn't outstay it's welcome. And "All I Want for Christmas" is hugely popular with everyone who sings it.


Review: Cockfosters

Fizzing, witty uber-London without Uber and smart without telling us it is. Blissfully recommended.


Review: Q.E.D.

Highly recommended for a summer night out of the winter rain.


Review: Here & Now

With young talent like this, no-one need worry just yet about British musical theatre. And that is the best reason to see this silly yet warm-hearted pre-Christmas cracker.


Review: David Copperfield

An outstanding production, a seasonal offering more satisfying than most pantos.


Review: Kindling

Sarah Rickman and Ciara Pouncett have assembled a superb team. They need to revisit the script once or twice more and they’ll have a winner.


Review: Women Only, Albert’s Bridge

Albert’s Bridge is a Stoppard rarity you’re unlikely to see again. And Women Only seems swiftly established as a tiny, semi-precious comic gem.


Review: Twelfth Night

Very nearly an exquisite production, though its lilies need tending.


Review: The Lightning Thief

There’s talents you’ll want to see and hear. And a stunning set whose production values spring surprises for the audience too. Highly recommended.


Review: Dear Adult

Beautifully impactful family-friendly theatre that melts even the heart of a cynic


Review: …Earnest

In a field dominated by heavy topics, …Earnest provides an hour of escape, joy, and laughter.


Review: Th’Air BnB

A ramshackle comedy-anarchic, silly, and fuelled by the audience’s complicity.


Review: Garry Starr: Classic Penguins

From the moment the large on-stage recliner turns to the audience, the vacuous Udderbelly theatre is full of laughter and joyful energy.


Review: The Drop of a Hat

An exceptional piece of Boy’s own drama that crinkles your stiff upper lip into wide grins.


Review: King

A high-octane solo show about a Singaporean woman discovering freedom and masculinity through her drag king alter ego.


Review: Sense & Sensibility

Austen fans can feel they’re delivered the story’s heft, if not all its socially pinched circumstance. It’s a small gem.


Review: Twelfth Night

The most exuberant Shakespeare out there, and a summer last-blast to make Malvolio weep.


Review: The John Smith Show

An excellent show performed by a veteran of deaf stand-up comedy looking back at his adventurous career


Review: 15:10 To Yuma

An engaging personable show about growing up in the hottest place in the United States - Smith's got great stories


Review: John Gibson: The Likes of Me

A blend of humour and heart in a thoughtful tale of class, identity, and the long journey to the Fringe.


Review: Steffan Alun: Stand Up

An excellent hour: smart, heartfelt and genuinely funny. It’s not just comedy, but a joyful act of solidarity.


Review: Dots

Exploring a woman's relentless battle against feelings of doubt and hopelessness


Review: Slomosexual

Disarmingly frank and hilarious life story of Singapore’s self-proclaimed biggest lesbian.


Review: Casino?

Lifting the veil on hospitality


Review: Yellow

Not black in my mind, though yellow in my legs


Review: Jena Friedman: Motherf*cker

Seeing this show once is not enough.  Although you will catch all of the jokes, you will want to hear them again – and again.  Every line hits. Friedman is so intuitive, such a great observer of human behaviour and insightful analyst of the political landscape that you want to not only remember her stories but the way in which she imparts them. 


Review: A Cause For Laughter

Go see this slick, funny, lively show, get new ideas for stand up shows to see you’d like to see next, and support the Center for Gender and Refugee Studies while you do it


Review: Flush

Hilarious, deep, embarrassing! Amazingly talented ensemble, great writing!