Review: Tending

Essential theatre, essential witness and mandatory for anyone who wants to know how human we have to be, from beginning to end.


Review: Rhinoceros

Don’t miss this. It’s provoking, wholly in spirit, with moments of great power.


Review: Calamity Jane

See this for the onstage musicians and above all Carrie Hope Fletcher giving Calamity soul as well as heart. Highly recommended.


Review: Flamencodanza

An incredible presentation of passion, energy, and community


Review: Dr Strangelove

Steve Coogan reigns supreme, and a cast like John Hopkins then Giles Terera are a gift to both Coogan and the show.


Review: Dear England

With its nimbus of inevitability as national storytelling, it’s still groundbreaking.


Review: Flutter-Bye

Since this play and Allison Ferns have a lot of legs, it’ll be worth coming back to see it run.


Review: Cry-Baby

Easily the most joyous musical we’ll see this side midsummer, Cry-Baby in this production blazes fit to set another fire in Dalston


Review: Macbeth

ETT’s gallimaufry stimulates, frustrates, occasionally fascinates. A more selective through-line would have revealed a mineral gleam, a new earth of tyranny.


Review: Alterations

We must be grateful for this compelling revival, and wait for more from the National’s Black archive.


Review: One Day When We Were Young

This grips anyone who can’t let first love go, anyone who stares homeward even now, wild with all regret. Unmissable.


Review: Teatro dei Gordi: Pandora

It begs questions: what couldn’t we do, if placed outside our own comfort station in life? Essential theatre. essential questions. A gem.


Review: Charlie and the Chocolate Factory

Brighton Theatre Group is a chocolate factory all on its own. Nothing in Wonka is as magical as the vision, reach and grasp of this company. It’s perhaps their finest production yet.


Review: Outlying Islands

A first rate-revival of a small classic. Do seek out this rare, dream-like play.


Review: The Last Laugh

This is a must-see. Never outstaying its welcome, you can leave this show after 85 minutes, but stay for that Q&A. I envy everyone the night I won’t be there for it.


Review: Birdsong

If you think on peace in these distracted times, love theatre, can absorb it at its most epic, then this will thrill and overwhelm you. A must-see.


Review: Cymbeline

One of the most uneven of late plays, its heights have to be seen; and though there’s pitfalls, this absorbing production surmounts most. A feat.


Review: Cat On a Hot Tin Roof

Frecknall has re-thought and refreshed one of the great, and classically-framed American dramas. And made it classic.


Review: Ballet Shoes

A paean to wonder and possibility, dreaming to some purpose. Like other winter growths, this should prove a hardy perennial, evergreen as the book.


Review: Stranger Than the Moon

Essential for anyone interested in Brecht or 20th century drama, it’s far more: starkly entrancing, then engrossing over 110 minutes.


Review: Twelfth Night

Tom Littler again brings an intimate, wintry music to middle Shakespeare: it’s his unique gift. Never sour, never sweet without salt, and with very few reservations, a definitive close-up Twelfth Night.


Review: Ruari Conaghan Lies Where It Falls

Ruari Conaghan has nowhere to hide in every sense. He exudes the charismatic of 100 watts cosplaying a glowing 40, then hits you between the eyes


Review: Napoleon: Un Petit Pantomime

A sure-fire miniature epic, spanning history and damn lies. Sublimely written and with a superb cast both seasoned and fresh, the finest concentration of panto this season.


Review: {Title of Show}

Delicious, certainly, truly witty and fast-moving, never indulgent about self-indulgence, this is a sure-fired soufflé


Review: Dear Evan Hansen

In Ryan Kopel and Lauren Conroy two future stars are born within a first-rate cast led by the exquisitely moving Alice Fearns; and Kopel with such a range is someone whose next role will probably surprise even him. Two and half hours blaze by like a first date. Outstanding.


Review: Sussex Musicians Club

This is special, commemorating the life of pianist, choral conductor educator and above all musician Muriel Hart (1924-2023).


Review: Salomé

Dramatically this is the most creative response I’ve seen live. Here, a director’s reach should exceed their grasp, or what’s a production for.


Review: Hairspray

A memorable ensemble, in an intermittently memorable musical.


Review: The Comedy of Errors

The most intelligent Comedy of Errors I’ve seen since the NT production of 2012 and truer to the play’s temper.


Review: Or What’s Left of Us

Sh*t Theatre are lost and found through folk in a show that lingers like a loved refrain


Review: Breathe

A beautifully designed and performed story that is delightful, meaningful and entertaining.


Review: Verbal Diary

Heart warming tale of friendship, betrayal and infatuation


Review: Super Second Rate

This show is an hour of first-rate – not second rate – stunning cello performance, beautiful singing, compelling storytelling, and humour.


Review: The Secret Poetess of Terezin

Lilting soundscapes and passionate singing paint a vivid picture of the moving poems and stories from a gifted World War II concentration camp survivor.


Review: Pitchblenders: Só Danço Samba

Grab a Caipirinha drink and let this talented band transport you to Carnival in Rio or a café in Paris. You will be moved by the music and inspired by the stories.


Review: Oxford Alternotives: A Cappella Off the Rails!

A fun afternoon of a cappella with Oxford University’s long-running student ensemble. The enthusiasm and joy transmitted by these talented young singers will send you on your way humming with a smile on your face.


Review: The Years

This production reminds us it’s often the least theatrical, least tractable works that break boundaries, glow with an authority that changes the order of things.