Review: Somebody

When does a girl become a woman? This is the question at the heart of Somebody.


Review: Funeral Flowers

Strength and determination shine through in this story of a young woman in they care system


Review: Next Time

A powerful new drama which bears witness to the devastating effects of domestic violence without sensationalising them.


Review: Portraits in Motion

Fascinating, innovative, creative, charming and entertaining!


Review: Orlando

A stunning solo interpretation of an iconic novel from a Fringe favourite


Review: Ad Libido

A moving, painfully funny, brilliantly crafted one woman show that has everything from awkward sex scenes to teenage diaries to talking Yonis.


Review: Sirens

Fun, inclusive and feminist


Review: Meno Pause

A one woman’s personal exploration through the Menopause


Review: The Death of Edgar Allan Poe

Equal parts ghost story, biography, gothic theatre, and poetry, The Death of Edgar Allan Poe is a funeral to which you should not be late.


Review: Narcissist in the Mirror

Razor sharp writing and performance. If you’re going to see one play about millenial anx, see this one.


Review: Girl World

A devised exploration of what being a girl means and how to transition to womanhood.


Review: East Belfast Boy

An explosive, impressive and energetic exploration of a sub culture in dance from an area of mass testosterone and masculinity


Review: Spaces

A powerful ode to friendship relationships, and the spaces between.


Review: Eight

Strong monologues from four actors that show their abilities to hold an audience and deliver a fine piece of writing that belies their age.


Review: All Change

A delightful and bittersweet comedy that will tug your heart strings.


Review: The One

This breaks rules as it makes them. See it.


Review: Feed

Creative, innovative, well-performed and directed, a complete show that entertains and informs!


Review: Handfast

A joyous celebration of relationships in all their glorious messiness


Review: Your Bard

Did Shakespeare really write all those plays and sonnets?


Review: Othello

Othello will never quite seem the same again; that’s an achievement and a marker.


Review: Heather and Harry

Stumble Trip Theatre smash it with wonderful hyper energetic Lecoq inspired madness


Review: The House

Horribly realistic insight into the world’s most materialistic society.


Review: Bowjangles: Excalibow

Outstanding music, vocals, comedy, movement, and innovation combine to create a remarkable performance.


Review: De Fuut

Disturbing look into the mind of a paedophile


Review: HUFF

A gut-wrenching tale of Indigenous brothers caught in a torrent of solvent abuse in the wake of the death of their mother.


Review: Sisterhood

Three Women Convicted of Witch Craft Make Peace with Their Fates and Reveal How Little Has Changed


Review: Blackthorn

An evocative song of an ancient landscape and two lovers caught in it.


Review: bloominauschwitz

A riff on James Joyce’s Ulysses exploring Bloom’s Jewish heritage as he time travels through the 20th century.


Review: In Loyal Company

A Traumatic But Necessary Reminder Of The Heroes The War Leaves Behind


Review: Canoe

Well crafted, performed and directed, spirited, polished, entertaining and moving show!


Review: The Fishermen

A Traumatic But Transformational Fight For Life, Freedom, and Understanding


Review: No Kids

Electric performances, creative, vibrant and poignant!


Review: Backup

Highly innovative climate change narrative that draws you into a dramatic movement piece which then delivers a massive knock out blow.


Review: Animal Farm

A swift and telling production that’s quick-swerving on its feet with memorable vocal projection and physical acting that’s a delight and enticement. This outstanding outdoor version feels special.


Review: Darlings

Well written and acted contemporary play about 20 somethings is relatable, informative, entertaining and pulls on the heart-strings, the best kind of theatre!


Review: Holy Moses

A charming retelling of the Moses story through two young people who may win the prize for show furthest travelled and certainly tell this tale with confidence.


Review: Status

Bold exploration of the idea of nationality


Review: Re: Production

An exceptionally well-crafted tale of how irony and IVF melt together but cannot break true love.


Review: The Red Shoes

Sizzling reimagining of the Hans Christian Anderson tale in the context of Weimar Germany that brims full of artistic value


Review: Lift

An original musical with promise and vitality which nearly gets it spot on.


Review: Female Transport

A tale of transport to the colonies with punishment, exploitation and solidarity at the heart of a straightforward tale, told in an intimate setting.


Review: Testament

A graduate showcase of physical and absurdist theatre exploring grief and letting go.


Review: Passionate Machine

Time travel, Russian poetry, a PhD, a single Mum, quantum physics, a Rocky montage. Fun, moving and brilliant.


Review: Huff

Heart-breaking, darkly comic and beautifully performed


Review: Trojan Horse

Compelling, devastating, uncompromising,


Review: There But For the Grace of God (Go I)

A rare instance of an actor knowing exactly how to direct himself. It’s a super-Fringe show well worth reviving, and Welsh clearly puts his life into it.


Review: Stardust

Innovative exposé of the cocaine trade pulls no punches


Review: The Leading Man

Doyen has the kernel of something excellent, disturbing and playable.


Review: A Joke

A joyful leap into the unknown. These incredible performers take you on masterclass of japery.


Review: Grail Project

unique, accomplished, clever, hilarious yet also often touching and powerful work


Review: £¥€$ (Lies)

By the end of this you’ll know far more about the banking sector than even Robert Peston explains. Now go and play them for a fool.


Review: Pity

Those receptive to those energies unleashed in the Ionesco, or more fitfully in Saint George and the Dragon will readily see Mullarkey’s almost unique position. What he writes next might define him.


Review: Exit the King

We need such risk-taking theatre back. This outstanding production of Exit the King might just remind us how to get it.


Review: The Meeting

Quieter than Humble Boy, The Meeting juggles ideas as adeptly, and heart more fully perhaps than any Jones play. There’s every reason to celebrate Jones’ return to the stage.


Review: Lovesong

It remains a highlight of the season, a mostly wonderful celebration of this rare gift from Abi Morgan. Let’s have more drama like this.


Review: In the Night Time (Before the Sun Rises)

This production’s sheer inventiveness, the feral truth of the acting and fabulously exploding set surely reinvent something; and land this drama where it should be: in the bleak dark before a bleached-out dawn.