Genre: Film
Review: The Motive and the Cue
An extraordinary production. Thorne’s vision is capped by a riveting performance by Gatiss, who glows with the still, sad music of Gielgud’s humanity.
Review: Vanya
This is the greatest one-man performance I’ve seen, said a Chekhov-immersed director of 45 years’ experience next to me. Yes.
Review: Cold War
Cold War ends with a draining-out of hope in Anya Chalotra and Luke Thallon; a desolate beauty the cast certainly earn.
Review: The Silence and the Noise
It’s understated, there’s no howl here no explosive projections about what this half-life must be like. The fade here though is like a quiet cheer, as something might be salvaged as terrible things are left behind. Do see it.
Review: SHOOT THE CAMERAMAN
Enthralling. Poignant. Unforgettable. Two cameras. One couple. A beautiful dance between the private and public world of this turbulent couple. Not to be missed!
Review: Family Portrait
A fascinating and beautifully imagined film showing us the value of family, no matter what form.
Review: No I.D.
The celebration of acceptance and being wholly comfortable in your own body for the first time in your life transmits to everyone. It should make you more comfortable, knowing how Tatenda Shamiso radiates the joy of his, bestowing a kind of benediction. A quietly groundbreaking show.
Review: The Seagull
A Seagull for the initiated, a meditation rather than the play itself, it’s still a truthful distillation, wholly sincere, actors uniformly excellent
Review: Hear, Speak, See
A brilliantly dramatic examination of women’s power plays at a dinner party like no other.
Review: Still Life
A curious short film blend of choreography and couch surfing between two movement artists in Berlin and Montreal.
A short film which follows the dance infused exploits of two performers following a beautiful tale from the time of Shakespeare.
Review: Thirteen Fragments
A fascinating poetic musing on the COVID pandemic focused on the resilient experience of women of colour, delivered with great panache.
Review: I Wish My Life Were Like a Musical
Flawless, a stunning pocket-sized musical you really must see.
Review: Sacrament
A revelation, superbly written and acted. Comparisons have been made with A Girl Is A Half-formed Thing. I can think of no higher praise either. You must see this.
Review: Living Newspaper #7
Like all the Royal Court’s Living Newspaper series, we need this. Watch a group of young dramatists take on the future
Review: Vespertilio
Vespertilio marks Barry McStay’s emergence as a writer of distinction. Anything he writes now should be looked out for.
Review: Jew… ish
One of the wittiest but also truthful comedies about love, identity, sexual politics and gefilte fish I’ve seen
Review: Living Newspaper #6
Like all the Royal Court’s Living Newspaper series, we need this. Watch what this does with the future
Review: New Moon Monologues April
As we saw in March, don’t be lulled by friendly colours and fluffy fonts. Queens of Cups again proves they’re a company to revel with and wait for heart-stopping reveals
Review: Icarus
After all the gods and their lack of choice, we come to the final instalment, the human dimension. Where we have one. A heartfelt, satisfying finish.
Review: Orpheus
A terrific reinvention, bringing gods and heroines up from the death of myth to an altered world.
Review: New Moon Monologues March
Don’t be lulled by the friendly colours and fluffy fonts. Queen of Cups is absolutely a company to watch, and its showcase productions are literally unmissable
Review: Selene
A beautiful film about a trio of people connected by relationships which resolves over time
Review: Before After
A pristine, heartwarming Valentine of a musical, starring a pair of real-life lovers, it deserves a real-life run
Review: Joseph And The Amazing Technicolor Dreamcoat
A salutary reminder of how a great musical talent and collaboration started
Review: Roots
An Edinburgh International Festival, HOME Manchester, Spoleto Festival USA & Theatre de la Ville Paris co-production
Review: The Odditorium Tribute to Ken Campbell
of you and won’t let go. Most theatre makers of whatever stripe are pretty clear Ken’s a game changer.
Review: Collisions
A simple, disarming story of balance and tradition undone by cutting edge science and technology - delivered by cutting edge Virtual Reality technology - that leaves us questioning the complexity and unintended consequences of progress.
Review: TEAM makes a play
An exciting documentary offering real insight into the process of devised theatre
