Genre: Immersive
Review: SHOOT THE CAMERAMAN
Enthralling. Poignant. Unforgettable. Two cameras. One couple. A beautiful dance between the private and public world of this turbulent couple. Not to be missed!
Review: Burning Down the Horse
The audience - very nearly completely full - was in stitches throughout the entire piece.
Review: Oscar at the Crown
An immersive neon extravaganza that brings us Oscar Wilde, not as we know him and not as we ought to either.
Review: The Lost Lending Library
Theatrical storytelling, fascinating, engaging and creatively designed!
Review: Esther’s Revenge
Moving and incredibly powerful - A must see! Representation for Esther Ada Johnson, based on true life events.
Review: Esther’s Revenge
An ambitious and affecting production, with a powerhouse of a central performance.
Review: Temping
An interesting hour or so in the company of yourself whilst updating records in excel.
Review: Séance
Fifteen minutes in the dark with strangers, listening to the possibility of being in touch with the other side.
Review: Hear, Speak, See
A brilliantly dramatic examination of women’s power plays at a dinner party like no other.
Review: We Came To Dance
A truly immersive experience where you dance to the rhythms of another world in a class that should make you spin.
Review: There’s a Ghost in My House
Stunning. Greet the nothing that is not there, and the nothing that is.
Review: Empty
A visual journey round a building where dreams are explored where our only guide is the soundscape in our ears.
Review: In Someone Else’s Shoes
An original and intriguing run round some of the familiar Edinburgh landscape denied to us because of the pandemic now a delicious backdrop to the effects on the people.
Review: A Letter to a Friend in Gaza
Amos Gitai’s curating hope from the ruins, impelling the audience to construct a narrative.
Review: Coma
An immersive lying down of your fears which ends with you getting up feeling exposed by an innovative theatrical experience.
Review: Suffering from Scottishness
Citizen Scotland’s Joseph McDaid takes us through a funny, engaging and erudite consultation on what it is like to be Scottish, for the non Scots who might want to be Scots.
Review: Caliban’s Codex
a superbly realised piece, vying with Carding’s own outstanding Quintessence.
Review: End Times: An Immersive Adventure
A Thought Provoking and Sagacious Escapade into an End of the World Immersive Experience
Review: Berberian Sound Studio
Thoroughly absorbing, full of walking shadows who throw vivid questions.
Review: Hole
Wow drama, the original Greek tragoidia. It invokes the same powers, almost the same gods.
Review: The Woods
Of this play's witness and power there can be no doubt whatsoever. Compelling and unmissable.
Review: Funeral Flowers
Strength and determination shine through in this story of a young woman in they care system
Review: Next Time
A powerful new drama which bears witness to the devastating effects of domestic violence without sensationalising them.
Review: Flight
Immersive theatre in a container that takes you off on a flight with earphones on and plenty of noise to drive you to distraction.
Review: £￥€$ (Lies)
By the end of this you’ll know far more about the banking sector than even Robert Peston explains. Now go and play them for a fool.
Review: Blaas (Blow)
Tender, otherworldly, explorative and extraordinary, this is an exquisite show that is more than worth the trip out of town.
Review: How It Is
You’ll have to see this. It’s in no way a continuation of their previous Beckett. and it’s immersive, outstanding, unrepeatable and unimaginable anywhere else: Gare St Lazare, and in the UK, no-one but the Print Room it seems would dare to stage it.
Review: For King and Country
Terrific immersive fun. If you want to know what might have happened in an alternative December 1940, this is as exciting, informative and perhaps as authentic experience as you could encounter.
Review: Grimly Handsome
If you want theatre to change your life a little and wonder where our DNA and urges trek to, you could do infinitely worse than shiver here.
Review: In Memory of Leaves
On a moored barge Natasha Langridge re-enacts her own In Memory of Leaves updated from a run last year to include this year’s tumultuous events. This is a fine, necessary work inevitably in progress. Let it settle in the water a bit more, and glitter.
Review: The Cocoon
Finding, keeping, rediscovering and losing love in this magnificent immersive physical and metaphorical web
Review: Future Play: Immersive Gallery
3D goggles and the future of gaming in a 20 minute exhibition that wows the artist in you.
Review: Meeting at 33
An immersive meeting of Alcoholics Anonymous with truth, dignity and power in the performance
Review: Sand in the Sandwiches
Sand in the Sandwiches is a haunting study, given stature by Edward Fox’s conjuration of an erotically disturbed gentility mocking itself. It reminds us, now Betjeman’s faded from aural as well as visual memory, what he was, what he might yet become.
Review: Trainspotting
Startling immersive stage production of the classic film; Fast, furious, stomach churning, shocking and gritty.
Review: Collisions
A simple, disarming story of balance and tradition undone by cutting edge science and technology - delivered by cutting edge Virtual Reality technology - that leaves us questioning the complexity and unintended consequences of progress.
Review: Mobile
Fringe theatre at its best. A unique intimate experience with outstanding production values.
Review: Here All Night
Sam’s all night shiner, Beckett’s Wake and Cabaret. Haunting, funny, unmissable.
Review: Experience & the Girl
A story about how love, lust and everything in between can transcend religion.
